Showing posts with label Matthew Rose. Show all posts
Showing posts with label Matthew Rose. Show all posts

Wednesday, September 16, 2015

People: Irreverent Drawings, Droll Takes and Daunting Tales By Matthew Rose – Published by Red Fox Press / Ireland







































People, a brand new book of my drawings, is just out from Red Fox Press / Ireland.  More than 40 drawings, often with text, are included in this little irreverent book that seeks to mete out the absurd, naming objects after people and people after their worst tendencies.  

My People book is fun and funny and essentially a kid's book for adults.  I hope to turn the book into an exhibition in 2016 (there are another 50 drawing that were unpublished). The edition is limited to 100, each copy is signed and dated. 

See some of the works and purchase the book by following this link to Red Fox Press : 
http://www.redfoxpress.com/AB-rose.html  

Details: - 15 x 21 cm limited edition book.

- Thread binding.
- 52 pages - 100 numbered and signed copies.
- August 2015
- price: 35 euro / 30 GBP / 40 $US

The edition of People is moving quickly although some will be reserved for Red Fox's book fairs this year:

London Art Book Fair, Whitechapel, 10-13 Sept 2015
New York Art Book Fair, PS1, Stand R01, 17-20 September 2015
Frankfurt Book Fair, 4.1 L37, 14-18 October 2015
UK Fine Press Fair, Oxford, 31.10-1.11.2015


If you'd like to reserve or order a copy, contact Ham or Francis at Red Fox.

 More stuff on my instagram: INSTAGRAM

Tuesday, March 24, 2015

POP UP / FUCK OFF : MASSIVE GROUP SHOW @ BROADWAY STUDIOS LONDON, UK SATURDAY 28 MARCH 2015

Pop Up Fuck Off, organized by India Roper-Evans and Samuel Brzeksi at Broadway Studios 28 Tooting High Street SW17 ORG in LONDON runs for one day only: 28 March 2015.

The exhibition opens at 3 PM and will run quite late with musical performances and other art works taking us into the evening.

All the details on FaceBook are here: Pop Up Fuck Off.

Artists include:

Elod Beregszaszi, Richard Leppard, Matthew Rose, India Roper-Evans, Flora Deborah, Sophia Simensky, Mita Solanky, Samuel Brzeski, Cecily Bates, Rodrigo Souto, Eden Lazaness, Helena Mae Brzeski, Miriam Gould, Mary Jones, Amelia Prett, Thomas Wells, Millie Easton, Tom Estes, Cheryl Simmons, Sarah Peace, Sarah Miah, Be Inma Berrocal, Carmen Viñuela, Ele de Luis, Simone Strifele, Sean Worrall, Kathryn Madge, Soundboxed Collective, Daniel P Cunningham, Jamie Misselbrook, Elaine Johnson Lauren Cooper Hayley Don Hill, Xiaoqiao Li, Minami Wrigley, Bob Brown, Luke Sebastian Wilde, Robert Marney Arts, Rob Jones, Phillip Hawkey, Nalini Thapen, Sisters From Another Mister, Milda Lembertaite, Emma Barford, Graham Martin, Andrew Stys, Timothy Holt, Aerial Sparks, Julia Maddison, Glenn Fitzy Fitzpatrick, Alejandro Tamagno, Sedicente Feccia, Minesweeper Collective, Desdemona Varon, Gzillion Artist, Vanya Balogh, Susana Sanroman, Silvia Cruz Del Alamo, Vanja Karas, Yumi Yoshinaga,  Sinéid Codd, Russell Hill, Caroline Derveaux-Berté and many more...




















My text work, Tuscany, 2005, will be included (God willing the Postal Service delivers them)... The pieces, a triptych, are essentially Bird, Cloud, Sky (in Italian).  Each canvas is 21.0 x 29.7cm, and is gouache on canvas. If you are interested in these works, please contact here: TUSCANY.

Feel free to use the buttons for Twitter and FB and other stuff to send this around.  Thank you. 

Saturday, February 28, 2015

Pressure Washing: An Indiscreet But Satisfying Rapture Exhibition By Matthew Rose : 6 March - 25 April 2015



Matthew Rose Pressure Washing Poster Download (PDF).  Yes, it's Free.

WILLIAMSPORT, PA – Converge Gallery is pleased to present Matthew Rose’s small and intimate exhibition of sometimes erotic, sometimes obscene, indecent, titillating, arousing, risqué, adult works of art rife with bawdy double-entendres and soft-core innuendo. This is the Paris-based American artist’s third solo exhibition at Converge Gallery.

These 100 hand-cut and painted collage works on board and canvas skew towards the suggestive with splashes of surrealist and pop sensibilities.  Along with additional pieces in sealed plastic arranged triple-x magazine-style in a private “American Peep Show” viewing booth, “Pressure Washing” provides a kind of lexica pornographica, a modest pictorial thesaurus of contemporary pleasure. 

Curated by Converge Gallery director, John Yogodzinski, these works target “almost every manner of sexual adventure with a sophistication and deep sense of humor that takes no prisoners,” says Yogodzinski.  “These works offer rewards that will leave viewers and collectors of art and erotica in stitches and possibly chains. Matthew Rose proves again he is one of our leading collage workers, taking the aesthetic of cut and paste, and pushing past the gates armed with fleshy poetry.” 

Kristen Hill, Converge Gallery, assistant director, agrees: “No philistine, Rose produces x-rated koan-like gems with a knowing virtuosity,” she says. “He’s a two-fisted culture warrior outfitted with sharp scissors, hot glue and a quick pair of hands to rifle through the Zeitgeist.”

Matthew’s last exhibition at Converge (2013), The Letters, comprised 333 works each mailed to the gallery.  Some pieces were missives, others fragments from various alphabets, faux books and his award-winning floor-to-ceiling lexicon the “SPECIAL K WORDS.”

Matthew Rose’s collages, text works, prints, drawings and altered books and objects are widely collected both privately and publicly throughout Europe and the US. Currently Matthew Rose’s “Self Improvement Alphabet,” a 26-piece collage installation, is on view at The Cornell Museum, Delray Beach, Florida.  He also conceived and launched the global project A Book About Death. His works have been featured in Axis of Evil (Qualicatica 2004); Masters of Collage (Lark, 2009); Cutting Edges (Gestaten, 2010); and the artist is currently involved in producing two books : Weekend Plans (Burning Boy 2015) and As Is, (Burning Boy 2015) a collection of written and photographic essays about Rose’s 30 years making and exhibiting art. 

“Pressure Washing” will be on view at Converge Gallery March 6 through April 25, 2015, with an opening on Friday 6 March, beginning at 6 pm.  

For all press inquiries, photo requests and a PDF catalog/checklist of the exhibition, please contact John Yogodzinski, director, Converge Gallery : john@convergegallery.com. Web: convergegallery.com. Tel: 1.570.435.7080 Earth: Converge Gallery 140 West 4th Street, Williamsport, PA 17701, USA. 

Download the large format poster of the exhibition (PDF).  Print it at home, office, factory : Pressure Washing : Matthew Rose 2015

Matthew Rose Web site.


Friday, September 26, 2014

Post Card From Paris: Lost For Words - Nuit Blanche, Oct 4, 2014



Download a high resolution PDF of this poster to print at home, office, art museum, or somewhere in the world: LOST FOR WORDS.

If you would like to see a catalog/price list: LOST FOR WORDS CATALOG.

Have a Twitter, FB or something else - Please share....

Thursday, July 10, 2014

Metamorphic at Converge Gallery: 11 July - 2 August 2014



Metamorphosis is the governing process of life: Change. In “Metamorphic” Converge Gallery presents seven artists whose works deftly explore the vast metaphor and process of change using a range of materials reclaimed and re-purposed from their original context.

Cast off, found and everyday objects are married thoughtfully here with post-modern artistic concerns – concerns that dig away at meaning in an oftentimes meaningless world. The results by these international artists offer a fresh and startling perspective on an often stale worldview. 

"Metamorphic" thrusts us into a very contemporary philosophical (and often humorous) dialogue, launching us into a new and challenging visual landscape that upends our experience with our familiarity with these “things we know.” Our awareness is reframed; we are transported to a different if not unique perspective.  Familiarity will never be the same again.

"Metamorphic" is curated by Kasey Lyon, assistant director, Converge Gallery.

Works by Hope Kroll, Matthew Rose, Will Kurtz, Brock Dent, Timothy Allen Miller, Chad Andrews, & Ron Lambert will be on display.

The exhibition opens on Friday, July 11 at 6 PM and will be on view thru Saturday, August 2.

See : Converge Gallery.

Friday, February 28, 2014

SCOPE NEW YORK 2014 OPENS 6 MARCH






















IMAGE: MATTHEW ROSE, SECOND NATURE, 2009.  COLLAGE ON WOOD, 56 x 56 CM 
 
SCOPE New York
312 West 33rd Street
New York, NY 10001
Converge Gallery • B03 • 570-447-5778

First View and Press Preview
Thurs | March 6 | 3pm – 6pm

Show Hours
Fri | March 7 | 11am – 8pm
Sat | March 8 | 11am – 8pm
Sun | March 9 | 11am – 7pm

Saturday, November 9, 2013

Paris: Outsider Artists Take A Room


























James Castle (1900-1977), working his soot and spit drawings at his home in Garden Valley, Idaho. Photo thanks to: Magnolia Atlas. His work was featured at The Outsider Art Fair in Paris, October 2013.  From theartblog.org

James Castle spent his life in silence on a farm in Garden Valley, Idaho. Deaf and unable to communicate with his own family, even in sign (it wasn’t taught in his local school), Castle spent his time looking closely at the world, drawing barnyards, farm landscapes, rocking chairs and self portraits with soot and spit, usually on unfolded match boxes and found scraps of paper.  He patched and stitched together naif cardboard sculptures of people, ducks or small gift-like packages made from bits of paper, product wrappings and twine, thread and fabric scraps.  Castle (1899 – 1977) was one of the true “outsider” artists who made a startling impact on the 20th century with his drawings, often double-sided, and handmade books and constructions. His works startled me with their freshness and their uncommon touch when I saw them for the first time in a hotel here in Paris at The Outsider Art Fair.

Read the entire article at OUTSIDERS on theartblog.

Sunday, July 21, 2013

THE LETTERS - ARTIST GOES POSTAL IN EXHIBITION




























Above: Dear Dante, IKB Deer on canvas bed of Dante Commemorative Stamps, 2013.

Matthew Rose's The Letters : Opens 5 July, 2013, Converge Gallery Williamsport, Pennsylvania and runs through 31 August, 2013

The exhibition includes some 333 works on paper, canvas and terribly unusual objects.  See the current catalog of works: The Letters.

Download and print the  exhibition poster (left), free.  High resolution, A3 size (or larger), PDF format : The Letters (Free Poster).

Feel free to share this post using the twitter, FB and e mail buttons below. 

How Design Magazine wrote this piece about the exhibition and the work Send Love Letters

Flavorwire wrote this piece with slide show about the exhibition, The Letters.

Sunday, June 23, 2013

THE LETTERS - CONVERGE GALLERY - 5 JULY 31 AUGUST 2013



The Letters : Opening 5 July, 2013, Converge Gallery Williamsport, Pennsylvania.

Artist talk: Saturday, 6 July, 7 PM.

The exhibition includes some 333 works on paper, canvas and terribly unusual objects.  See the current catalog of works: The Letters.

Download and print the  exhibition poster (left), free.  High resolution, A3 size (or larger), PDF format :

The Letters (Free Poster).

Feel free to share this post using the twitter, FB and e mail buttons below. 

How Design Magazine wrote this piece about the exhibition and the work Send Love Letters.

Monday, May 20, 2013

Letter From Berlin: Forgeries, Pheromones & Clones - Jonathon Keats


Jonathon Keats’ emotional paint set. The artist is revisiting Abstract Expression with his own Olfactory Expressionism:  He paints with pheromones. Viewers in Berlin will hopefully get more of charge from these works than from Pollock’s canvases.

Jonathon Keats has brought the cerebral into the art marketplace. Nearly 15 years ago he sat in a gallery for 24 hours looking at a nude model and selling his thoughts to art collectors. A few years later he copyrighted his mind as a sculpture. In 2004, he tried to genetically engineer God to get to the essence of the Divine.  He’s enlisted string theory to purchase real estate in other dimensions, and created a silent four-minute and thirty-three second ring tone remixing John Cage’s composition 4’33” .  And he even sold collectors the experience of spending money.

Now in a new exhibit in Berlin he’s presenting a dozen of his “paintings”  – made with mixtures of his own pheromones soaked in a linseed oil sauce – in order to get to the heart of Abstract Expressionism, artworks he accuses of being both passive and  unsuccessful. In addition to his show in Berlin at Team Titanic, the artist has a project opening in New York June 11-14, and a new book “Forged: Why Fakes are the Great Art of Our Age.” I asked the provocative and art critical artist some questions recently.

Read the interview and see more images here  on The Art Blog.


Friday, March 1, 2013

A Perfect Friend Censored at The Big Picture, Denver, Colorado



Curated by photographer, curator and genius Mark Sink, The Big Picture, a Denver, Colorado city-wide art event (with sister cities throughout the world), brings together artists in a large format off and on-the-wall exhibition.  Works are displayed throughout Denver on city walls (using wheat paste) and in dedicated venues.

Mark Sink's website.

My work, based upon a collage from the series A Perfect Friend, is currently installed at The Buffalo Exchange and is "censored" – the private bits have been covered with a blue patch.  To be honest, I'm not sure what to think about my work being censored. I suppose this is a far cry from Robert Mapplethorpe's ru- in with the censors at the Corcoran and the NEA. (See that history here).  What have we learned from censorship?  Mostly that it draws people's attention to the work and not away from it.

Asked about the blue patch, curator Mark Sink, smiled and said nothing. 

Then a day later this note from Mark Sink: "I need to explain... sorry you probably don't know iI was thrown off FaceBook twice, and one more time and I am out.  I run a big part of my life on FB –  sadly – (event announcements) The Big Picture and The Month of Photography and Sink Photography.  If they they shut me down a marketing arm would be cut off."  

Several observers have noted that the blue patch actually draws attention to the works' slight pornographic nature. 

See more from The Big Picture here.

Prints of this work and others from the series A Perfect Friend are available from Converge Gallery, Williamsport, Pennsylvania. These prints were featured at the exhibition After The Flood in 2012 in Williamsport. There are only a few prints remaining; the edition was set at three but only one print was made of each of 36 images.

The prints were produced by Gary Day at the University of Omaha, Nebraska fine arts printing lab.  The prints are about 80 x 60 cm each and were made using a high end Epson digital printer on fine Arches paper.  Each of the prints are signed, numbered (1/3) and dated 2003.

MADNESS: My work will be featured at The Madness of Collage at The Next Gallery also in Denver, opening 8 March.  My works on paper in the Madness exhibition are viewable here.

Sunday, February 17, 2013

March Madness : Collage At The Next Gallery Denver

















































IMAGE: MATTHEW ROSE G&C SWAN SONG, 2011.

March Madness is here: Collage madness.

The Madness of Collage, a large group show of collage artists across the planet will open at The Next Gallery in Denver Colorado on 8 March 2013. 

My work was first exhibited in Denver in 2006 when I filled The Capsule Gallery, directed by Laurie Lynnxe Murphy with more than 1000 collage works in a show entitled Spelling With Scissors.  The wall to wall to wall to floor to ceiling exhibition was the gallery's swan song and it soon after changed hands.  See a little YouTube video of me dancing in the gallery space.

I originally sent in 7 of my God & Country works on paper – a series I exhibited here in Paris in 2011 at Storie in Montparnasse, but fearing after nearly a month of silence they were lost in the combined labyrinths of both US and French postal systems, I sent in an additional 7 works.  The moment the second package was mailed the first arrived (of course).  In total 14 works on paper will be on view in the exhibition.

Juxtaposition: The Madness of Collage
The Next Gallery, 3659 Navajo Street, 
Denver, Colorado 80211
Exhibition Dates:  March 8 - 25, 2013
Reception: Friday, March 8, 6 pm - 10 pm

Visit The Next Gallery online



Monday, December 17, 2012

Immaculate Perception

Surrealism, asserted André Breton, was above all "a revolutionary movement."  And that movement, both visual and literary, was largely identified with the dream. Shock, non-sequitur, unlikely but often gorgeous juxtapositions were the signature elements of surrealist works. These ideas come to term in Immaculate Perception by Matthew Rose. Beautifully printed by Mariela Cadiz in Paris, the work is a lullaby in the surrealist cannon: A young girl in a bob cut dreams in a dream of a lemon tree.  She is the revolution, says the artist.
Immaculate Perception measures 80 cm by 60 cm and is printed on fine art paper in a limited edition of 50 signed, dated and numbered prints.  Immaculate Perception sells for 164,05€ unframed.
  • Limited edition of 50
  • Signed, numbered and dated (2009).
  • High quality giclee print
  • Acid-free fine art paper
  • 80 cm by 60 cm (31½ by 23¾ in)
See or purchase Immaculate Perception here.

Please repost or tweet or share using the buttons below... Thank you! 

Friday, November 30, 2012

TODAY IS TOMORROW (IN PARIS) (IN DECEMBER)




TODAY IS TOMORROW is an exhibition of collages and astuces by Matthew Rose at La Belle Hortense, 31 Rue Vielle Du Temple, 750014 Paris.

The astuces consists of a giant Viagra bottle (in the window).  Exhibition throughout the month of December 2012.

Click image to enlarge.

Signed posters will be available. If you would like a signed poster, please write here.

If you would like a free high resolution PDF of this poster to print out at your home or office, one can be emailed to you, no problem.  Did we say it was free?  It's free. Click here: Today is Tomorrow PDF.

Wednesday, November 21, 2012

PAPER YOUR WORLD - AFFICHES - POSTERS : FREE




























Did we say these posters were FREE?  Well they are.  Free.  Download any or all of these Matthew Rose exhibition posters – high resolution PDFs that can be scaled up large.  Print at home or at your office.  Make wall paper, make a dress, make a book, or wrapping paper, put them on a lonely wall, or make paper airplanes out of them, or if you have a tweety pie at home, line that bird cage in surreal decor with the surreal McCoy.  And hey!  They are FREE, so pass this along...

GO TO THE MATTHEW ROSE AFFICHE & POSTER PAGE.  CLICK on any image to download.

Monday, October 8, 2012

PAPYRI at The Emily Harvey Foundation Venice
























































PAPYRI – Guestbooks, Bookworks and Similar Departures by guests of the Emily Harvey Foundation 2004–2012 Curated by Berty Skuber

October 19-27, 2012 Wednesday-Saturday: 4:30-7:30 p.m. and by appointment until November 11
Exhibition opening Friday, October 19, 6:00 p.m.

Archivio Emily Harvey San Polo 387 30125 Venice, Italy

www.emilyharveyfoundation.org ehf@emilyharveyfoundation.org

PAPYRI is a recognition of the presence in Venice of all the various personalities who have been resident guests of the Emily Harvey Foundation since 2004: over 150 creative individuals (painters, sculptors, architects, photographers, publishers, calligraphers, poets, novelists, journalists, critics, composers, performers, stage designers, linguists, and a theoretical physicist) from 25 countries on six continents.

In addition to the guestbooks which are found in the Foundation’s various residency apartments, the exhibition also presents a series of books and book-related works by Foundation guests. Some of the works were made in the course of the guests’ periods of residency in Venice, others refer back to those times, and many were made especially for this exhibition.

The artists’ response to the idea of the exhibition has been both generous and enthusiastic.
Many of the works which have already gone to press or been published as editions gratefully acknowledge the Foundation’s contribution to their realization.