Monday, October 19, 2009

Robert Crumb Does God's Work

Robert Crumb, hero to generations of pot heads and comic book obsessives (both readers and creators), author of "Keep On Truckin' " and "Fritz the Cat," has just unveiled his biggest project ever: The Bible.  More specifically, Genesis. Here God makes man (Adam) and woman (Eve) and of course then all HELL breaks loose.

There's God Himself on the cover and starring in all 50 chapters of the first book of the Bible.  Meet the Tree of Life, The Forbidden Fruit, The Snake, Cain and Able and all your Bible friends. Creation and destruction, floods and famine.  It's all there packed to the brim with drama and early Man anxiety. Illustrated in his signature cross-hatch genius, Crumb the once-underground artist is now taking on the Bible Belt and Beyond.  This book is certain to be the stocking stuffer of the Christmas Season and probably around February you'll see the first edition up on eBay for about five times the cover price.

It's in hardcover from W.W. North & Co. And only $25. More than 100,000 copies are already in print. And yes, of course, you'll be able to get a copy from Amazon. What's next? The Koran? Or The Farmer's Almanac?  Bravo Robert Crumb!  Read the story from NPR.

Sunday, October 18, 2009

Matthew Rose : West Prize 2009



Matthew Rose artworks entered into West Prize 2009.  Above: Les Affaires Avant Tout (2009). 1.4 m x 1.2 m. Collage on board. This work, among others, will appear in MASTERS OF COLLAGE, published by Lark Publishing, due out May 2010.  Click here to see more Matthew Rose collage works, installations and projects.

A Book About Death : A Short Film By Artist Jac Charlesworth



This film was made for A Book About Death by UK artist Jac Charlesworth. It was screened opening night, September 10, 2009 at The Emily Harvey Foundation in New York.  If you repost this on your blog, please credit Jac Charlesworth, A Book About Death and The Emily Harvey Foundation.

Wednesday, October 14, 2009

I Met The Walrus



In 1969, a 14-year-old Beatle fanatic named Jerry Levitan snuck into John Lennon's hotel room in Toronto and convinced him to do an interview. 38 years later, Levitan, director Josh Raskin and illustrator James Braithwaite have collaborated to create an animated short film using the original interview recording as the soundtrack. A spellbinding vessel for Lennon's boundless wit and timeless message, I Met the Walrus was nominated for the 2008 Academy Award for Animated Short.

CALIFORNIA ARTIST JONATHON KEATS REBUILDS WORLD ECONOMY WITH ANTIMATTER


CALIFORNIA ARTIST JONATHON KEATS REBUILDS WORLD ECONOMY WITH ANTIMATTER – "CASH IS THE FOUNDATION OF ANY ECONOMY..."

October 15, 2009 - In the wake of global economic collapse, a conceptual artist has introduced a hedge against future catastrophe by creating a mirror economy designed to skyrocket as world markets plummet. The first holistic response to the great recession, this far-reaching financial innovation was formulated by Jonathon Keats, whose previous artistic enterprises include applying string theory to real estate development.
[PHOTO OF JONATHON KEATS BY: JENNIFER DESSINGER]

"Economic equilibrium is upset by our unbalanced pursuit of material wealth," explains Mr. Keats. "My plan is to offset materialism with modern science, by exploiting the economic potential of antimatter, which is the physical opposite of anything made with atoms, from luxury condos to private jets."

Backed by private Swiss funding, his scheme will be implemented beginning on November 12, 2009, when the First Bank of Antimatter opens in San Francisco's Monadnock Building, the location of Modernism Gallery.


The bank will serve as a hub for antimatter transactions worldwide, eventually financing the building of antimatter infrastructure and providing the public with a full range of investment opportunities. "But our first order of business will be printing money," says Mr. Keats. "Cash is the foundation of any economy, and an anti-economy is no exception." 

Issued in three convenient denominations, ranging from 10,000 positrons to 1,000,000 positrons, and initially trading at an exchange rate of $10 to $1,000, the anti-money will be backed by antimatter stored in the bank's vault. Because matter and antimatter annihilate each other on contact, antimatter positrons will be continuously produced on location by decay of the radioactive isotope potassium-40.

"We want our customers to be confident that the antimatter is available on demand, but we're advising clients to conduct transactions strictly in paper currency," says Mr. Keats, who has used his artistry to design the money in multiple colors including red, blue and green. "The paper is cotton rag, archival enough to survive economic armageddon" he promises. "It's an essential asset in any balanced portfolio. Antimatter is a natural haven for wealth when everything becomes worthless."


                          *          *          *
"The First Bank of Antimatter" opens at Modernism Gallery on Thursday, November12, 2009, with a public reception from 5:30 to 8:00 PM. The gallery is located at 685 Market Street, San Francisco, CA 94105. The phone number is 415/541-0461. Gallery hours are Tuesday to Saturday, 10:00 to 5:30. For more information, see www.modernisminc.com.

*****
Jonathon Keats is a conceptual artist, fabulist, and critic residing in San Francisco. Recently he choreographed the first ballet for honeybees at Yerba Buena Center for the Arts. He has also exhibited extraterrestrial abstract artwork at the Judah L. Magnes Museum, unveiled a prototype ouija voting booth for the 2008 election at the Berkeley Art Museum, attempted to genetically engineer God in a petri dish in collaboration with scientists at the University of California, opened the world's first porn theater for house plants in the town of Chico, and petitioned Berkeley to pass a fundamental law of logic, a work commissioned by the city's annual Arts Festival. His projects have been documented by PBS, NPR, and the BBC World Service, garnering favorable attention in periodicals ranging from The San Francisco Chronicle and The Washington Post, to Nature and New Scientist, to Flash Art and ArtUS. Additionally, Keats serves as the art critic for San Francisco Magazine and as a columnist for both Artweek and Wired Magazine. He's the author of two novels and an award-winning collection of stories recently published by Random House, as well as museum catalogue essays, monographs, and artist's books, and he is currently writing a book on linguistics for Oxford University Press. Since graduating summa cum laude from Amherst College in 1994, he has been a visiting artist at California and Montana State Universities, and a guest lecturer at the University of California, Berkeley, as well as the recipient of Yaddo and MacDowell fellowships. He is represented by Modernism Gallery in San Francisco. He can be contacted at jonathon_keats@yahoo.com

Sunday, October 11, 2009

Monday, August 24, 2009

A Book About Death Posters : Free

Download, free, the 8 Posters for A BOOK ABOUT DEATH. Poster designs by Julia Hoffmann, Cecil Touchon, Robert Mars, Caterina Verde, David Rager, Osiris Hertz & Matthew Rose.

Exhibition opens September 10, 2009 at the Emily Harvey Foundation Gallery, 537 Broadway, NYC, NY 10012.

CLICK HERE FOR THE FREE POSTERS
.

Saturday, July 18, 2009

Culture Hall : Apply Now

Culture Hall, a community for artists to share their work with other artists, curators and collectors, is curated with a specific interest in early to mid-career artists. CH provides select artists free 50 mb portfolios with easy to use tools for presenting their art in the best way possible on the Internet. Membership is available by invitation or free application. Check them out... and browse the artists on-site.

Above, Joshua Luther's pdqb, 2005, inkjet on wood, 16" x 32".   Luther, who lives and works in Salt Lake City, Utah, works the conceptual and digital modes with aplomb: "Orientation is such a relative notion, in actual space orientation is completely arbitrary. Yet we as humans determine our world view in terms of up and down, good and bad."  The syntax of geometry vis à vis where I am, where you are, where we are. Minding your ps and qs, your ds and bs.

Apply to Culture Hall by clicking here.  Tell them Store Front Windows sent you and you'll get a big hello.

Monday, July 13, 2009

Michael Jackson : RIP



MICHAEL JACKSON by Andy Warhol
Acrylic and silkscreen on canvas
776.2 x 66 cm. Circa 1984
© The Andy Warhol Foundation for the Visual Arts, NEW YORK

Tuesday, July 7, 2009

Sunday, July 5, 2009

A BOOK ABOUT DEATH - CALL FOR ART WORKS


A BOOK ABOUT DEATH : ARTISTS CONTRIBUTE 500 POST CARDS EACH TO CREATE AN UNBOUND BOOK ABOUT DEATH. AN HOMAGE TO RAY JOHNSON, A CELEBRATION OF EMILY HARVEY, AN GLOBAL EXPLORATION OF DEATH.
NO LIMIT TO THE NUMBER OF ARTISTS CONTRIBUTING. CDs, DVDs & OBJECTS ACCEPTED - SEND 500.
DO AN HOMAGE TO MICHAEL JACKSON, YOUR PARENTS, SOMEONE YOU KNEW WHO HAS PASSED AWAY. MAKE A DRAWING, A COLLAGE, A PAINTING, TAKE A PHOTO.  PRODUCE 500 POST CARDS, WRITE SOMEWHERE ON THE CARD: A BOOK ABOUT DEATH.  ADD YOUR WEB SITE AND SEND TO THE GALLERY.

EXHIBITION AT THE EMILY HARVEY FOUNDATION GALLERY IN NEW YORK CITY. OPENING: THURSDAY 10 SEPTEMBER 2009. EXHIBITION: 10 - 22 SEPTEMBER 2009.
TWITTER? PUT OUT A TWEET ABOUT THE ARTIST CALL!

CLICK HERE FOR ALL INFO AND TO SEE WORKS ALREADY SUBMITTED.

Monday, June 15, 2009

Iran : Green Revolution, Bloody Massacre



Assorted Twitter Feed from Iranian Students on Sunday Night in Tehran... as reported by Andrew Sullivan (Daily Dish/The Atlantic).


My Father has a truck load of ballot boxes that were to be burned in the back of his truck.

i eats some pills and wanna sleep and i scared that if they can find me ...i going...thx for your supports....


typing as fastest as I can in bth English&Farsi,Still we need outside help,I really don't want to be captured by Ansar

Once again I thank everyone in the world. No matter if Ahmadi stays or not, I'm proud to have clasped such supportive hands.

URGENT JUST IN, there r TANKS in front of the interior ministry of tehran in valiasr st. & fatemi CAREFUL


I can't find my friends on streets.

Rasht, glass splinters on the streets, riot police not hesitating to beat men, women and even kids
From Enghelab Sq friend just call me, Police & unknown forces beating everybody for no apparent reason!
Correction, no bus burned, but three cars.
dawn is breaking. can hear prayers from mosques.

Friday, May 22, 2009

CONFESSIONS - THE $1 MILLION INSTALLATION

Matthew Rose exhibition at Soma Gallery, Cape May, NJ. May 9 - June 14, 2009. 

Price for entire installation: $1 million. Yes, $1 million for 800 pieces (or so).  You need a room big enough for this. 

Contact: SOMA GALLERY for more information.

Wednesday, May 13, 2009

Poor Richard's Inn : Cape May, NJ







































POOR RICHARD'S, built in 1882 as the private residence of a Cape May, NJ hotel owner, has been run as an inn since 1977. It's one of that small number of owner-operated inns that offer exceptional overnight accommodations in National Landmark buildings. Each has its own special mix of style and service.

Harriet Sosson is the inn keeper and an artist as well.  She exhibits at Soma Gallery in Cape May, NJ.

"At Poor Richard's we try to strike a balance between today's informality and yesterday's charm, without being pretentious or overbearing," says Harriet. "We're friendly and helpful, but respect your privacy; and while the rooms are furnished with period pieces, our primary goal is to have guests feel comfortable and 'at home'—we're not aiming at strict Victorian authenticity...and our prices aren't too outrageous."  Visit the web site: Poor Richard's Inn.

And do say hello to Harriet from Storefrontwindows.

Tuesday, May 12, 2009

Confessions : Matthew Rose at Soma Gallery, Cape May






Confessions, Obsessions & Indiscretions at the Soma Gallery, Cape May, New Jersey.  From May 9 - June 14, 2009.

As Storefronts Become Vacant, Ads Arrive















From The New York Times May 12 2009

As Storefronts Become Vacant, Ads Arrive



Almost every category of advertising is declining precipitously in this economy, but there is one that is thriving.
Taking advantage of all the abandoned retail spaces in urban areas, marketers are leasing them at cut-rate prices and filling them with their ads.
At first, advertisers saw storefront advertising as a poor man’s billboard — that is, a bad thing. Now, they see it as a poor man’s billboard — that is, brilliantly frugal.
Ads for Intel that went up on Monday capitalized on the bankruptcies of stores like the Disney Store, Domain Home and Comp- USA, filling their former shops with digital billboards. 
Elsewhere, barren-looking store windows have been plastered over by ads for Nestea, Snickers, Delta Air Lines and Conservation International.
“All you have to do is walk out the door for lunch and notice the number of vacant storefronts — and they tend to be in prime areas, in major thoroughfares, and they’re unused space — so why not get in there and put a message in there?” said Peter Sherman, the managing director of BBDO West, San Francisco, part of the Omnicom Group.
BBDO West is running ads for Conservation International in storefronts in New York, San Francisco and Berkeley. Advertisers can rent the storefronts for a fraction of what landlords charge retailers. 
Mr. Sherman is paying an average of $500 for three-month stints in prime locations. (An outdoor billboard in comparable spots would cost $50,000, he said.) 
In some cases, he said, the landlords even donated space, both because they liked Conservation International’s environmental message, and because it is more appealing to have something in their windows other than dust and grime.
“It looks better for something to be going on in the storefront,” Mr. Sherman said. “If that something is a positive message regarding the environment, that’s a win for both sides.”
The retail vacancy rate rose to 11.2 percent in the first quarter, the highest it has been since the early 1990s, according to CBRE Econometric Advisors, a unit of the CB Richard Ellis Group. And some real estate owners say an ad helps, literally, cover up the problem.
“The way I look at it, when somebody moves out of a space it looks terrible,” said William Walther, the president of Granite Companies Asset Management, which owns several buildings in Manhattan. “Retail use is animated, because you see all the things that are in the space and people are in the space, and coming and going. When people move out, it’s just a big, vacant room and not very attractive,” he said.
Though advertisers pay only 10 to 15 percent of what a retailer would, Mr. Walther says he will take that. “We still have taxes, we have insurance, we have electricity that we have to pay on the property,” he said. “The market started to change, so now we look at it as, ‘When’s the next campaign, fellas?’ ” 
Storefront advertisers say that since the downturn, real estate owners have become eager to lease their space, making ads in prominent spots more common.
Ray Lee, the managing director of real estate at Inwindow Outdoor, a company that creates storefront advertisements, used to have to court real estate owners, but now they are calling him, he said.
“In the last year and a half, it’s been much easier to acquire locations,” Mr. Lee said. “They’re realizing the money’s important, of course, and they’re realizing they don’t want to be sitting on vacant spaces anymore — they want to be more ambitious in terms of covering their windows.”
Inwindow Outdoor executives said the company had had record revenue in the last two quarters. And Inwindow’s ads are running in highly trafficked places. A former high-end furniture store in Greenwich Village in Manhattan is now an ad for Snickers. A Delta ad covers the windows of a former restaurant in Midtown Manhattan. 
A group of Intel ads that began running Monday has gotten particularly good placement because of other companies’ misfortune: ads are running at several sites where the former tenant declared bankruptcy. 
These include the Disney Store in San Francisco (its operator, Hoop Holdings, filed for bankruptcy last year), a CompUSA in Chicago (the company filed for bankruptcy in 2007 and is operating under a new owner), and a former Domain Home store in the Flatiron district of Manhattan (Domain filed for bankruptcy in 2008).
“We were able to time the market well to find a couple even better locations than what we originally anticipated,” said Jamie Eaton, group strategy director at OMD, the media-buying unit of the Omnicom Group, which advised Intel on its strategy. “As the companies make a transition, the great thing for the landscape is you’re able to cover up something that may have been a visual sore point.”
Inwindow has also changed the storefront ads so they are more than just posters hanging inside a store. It now designs custom vinyl coverings that adhere to a store’s brick and glass, and are cut to fit over doors, ledges and other architectural elements.
The Snickers ad is composed of several panels that fit over the building’s panes of glass, while an ad for Nestea is plastered over both the windows and the doors of a former shop in Midtown Manhattan, making it look more like a street-level billboard than abandoned retail space.
The potential is even bigger when marketers incorporate technology, said Steve Birnhak, the chief executive of Inwindow Outdoor. “If you look at vacant real estate as a shell, it’s the perfect environment to safehouse any technology you want that lives within the confines of that building,” he said. 
The Intel ads house screens displaying slightly time-delayed text messages from passers-by about their hopes for the future. And for “Coraline,” a fantasy movie, Inwindow created holograms in dark retail spaces. “Children would appear out of thin air in an environment that looked to be 20 feet deep, and float up to the window,” he said. 
For Mr. Sherman, the storefronts he used for Conservation International did double duty. They were cheap, centrally located and perfectly matched his message, which compared destruction of the environment to the destruction of the economy. The windows carried messages like “Our shopping districts are starting to look as barren as our rain forests” and “Ignore climate change and a lot more than our shops will be going under.”

Thursday, May 7, 2009

Fluxibition & Natural Born Fluxus

 Natural Born Fluxus is that tendency among artists to engage in Fluxus-like behaviors even if they never heard of Fluxus. Or possibly we could say that Fluxus ideas come out of a naturally occurring tendency in all artists that we now think of as Fluxus. It could be that the free wheeling nature of Fluxus allows artists to enjoy their creative, or at least peculiar, tendencies in an unfettered way that other forms of organized artistic activities do not. The sorts of things that delight a Fluxus artist tend to be of an ephemeral nature, contain a humorous element and refer to that mysterious some-thing that makes one laugh at a joke; call it irony or the unexpected twist, Fluxus artists enjoy a good surprise and a cleaver turn of phrase. They are willing to remain innocent enough to be easily amused and fall for a good trick. It is this adherence to a child-like sense of wonder that this book hopes to illustrate.  



News from the Fluxmuseum:  
Call for Works
FLUXHIBITION #3
JULY, 2009
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Fluxhibition #3 - Boxes, Cases, Kits and Containers
Greetings!
Fluxhibition #2 was a great success thanks to all of the great contributions see the catalog at: http://fluxmuseum.org/
I had planned on Fluxhibition #3 being in 2010 HOWEVER a venue become available for this summer at The University of Texas at Arlington. I, in fact will actually be graduating with a BFA from UTA in about a week (after 35 years!). There is a current Collage Museum call out for an exhibition entitled Thinking Inside of the Box - A Survey of Box Assemblage Art see: (http://collagemuseum.com/thinking-box-call-for-works.html) Deadline May 15th ( PARTICIPATE IN THIS ONE TOO!).

I thought that, since I was able to secure the university venue, it would be great to invite my fluxfriends to contribute a fluxbox for Fluxhibition #3 and later I will combine the two bodies of box works for an additional exhibit later in 2009 or in 2010. So your Fluxbox contribution will get at least double exposure.

SPREAD THE WORD

This is rather short notice so I would appreciate it a great deal if you would post the following call on your blogs and/or mail out to your email lists. If you happen to know addresses for some of the old timers, please inform them of this call - maybe we could get some first generation participation.

My best to all,
Cecil Touchon

http://fluxmuseum.org
http://collagemuseum.com
http://fluxuslaboratories.org

CALL FOR PARTICIPATION

INTERNATIONAL FLUXHIBITION #3 - Fluxus Boxes, Cases, Kits and Containers by Contemporary Fluxus Artists

Call for Works - Deadline: June 30th, 2009 (sooner if possible) No Jury, all works accepted.

Fluxhibition #3 will consist of Fluxus Boxes, Kits, Cases and Containers and/or Fluxus Objects (to be placed in containers or boxes by the museum staff for the exhibit). An exhibition will be held in July at The University of Texas at Arlington, Texas. Works contributed will become part of the permanent collection of the FluxMuseum (fluxmuseum.org) and will be used for additional future exhibitions. A catalog will be produced for the show and available for purchase after the exhibit. Additionally, images of all works will become a permanent exhibit on the FluxMuseum web site.

What to do:
1) Create a Fluxus box, case, kit or container - use classic themes or come up with something new.
2) Send Fluxboxes, Fluxcases, Fluxcontainers and/or Fluxobjects by June 30th, 2009
3) Come to the show if you can
4) if so inclined, write or contribute a related essay for the catalog
5) When available, buy a catalog of the show.

FluxMuseum
6955 Pinon Street
Fort Worth, Texas 76116  USA
817-944-4000

     

Sunday, May 3, 2009

Art Show Case at Spill : Paris

Spill, the award-winning Paris-based web design firm, is throwing an art party on May 6 at their palatial digs on Rue Faubourg Poissoniere 75010 Paris. Led by tech and design geniuses Nicholas Mir Chaikin and Liz Stirling, longtime friends and clients of Lalande Digital Art Press, Spill has won more Clic d'Or awards than just about anyone.

The exhibition includes Paris-based artists Sarah de Teliga, Roubiou + Toft Anderson AKA Moto 777, Jean-Pierre Valette, Matthew Rose. Click the image at left to enlarge to see all details.

Wednesday, April 29, 2009

Recession Proofs

Times are tough, but they are also fascinating. Moira McLaughlin decided to challenge herself and the world to make artwork and collages that reflect our economic crisis. The result: "Recession Proofs."  She is welcoming your recession proofs. (Moira's work is illustrated, here).

The rules:

1. You can only use images that you got for free: junk mail, grocery store circulars, j. crew catalogs, free weekly newspapers, etc.

1. Title must reflect current events or your response to the Great Recession.

3. You can use found objects from around your house, for example a plastic bag, but NOT an object that you bought, i.e. a magazine you paid for last year.

4. You may purchase the panel for the foundation of the collage.

The idea is to make art out of things that are free and show that creativity truly is "Recession Proof."
 
Email her at moira@dreamdogsart.com

Tuesday, April 14, 2009

Fingerpainting On Mars

Fingerpainting on Mars is a time capsule by Little Shiva, artist, designer and fashion forward thinker. The theme of this new publication is contemporary art: go check out the space dust at FINGERPAINTING ON MARS.

The magazine is available in France at the Centre Pompidou and galerie du jour - agnès b.

See the website for other locations or order this jewel online.

Tuesday, April 7, 2009

A BOOK ABOUT DEATH OPEN CALL























A BOOK ABOUT DEATH OPEN CALL TO ALL ARTISTS, WRITERS, PHOTOGRAPHERS.

Exhibition in NYC at the Emily Harvey Foundation Gallery.  Opening 10 September.  Contribute, Participate, Distribute.

Brian Lesteberg At Culturehall

Garage, Sheridan County, ND, 2007. Copyright Brian Lesteberg
Brian Lesteberg is a young and talented photographer based in Minneapolis. His work was published in 25 Under 25: Up-and-Coming American Photographers, Volume 2 released this spring by powerHouse and CDS Books at the Center for Documentary Studies. While I was still living in Minneapolis, Brian shot an unforgettable series, Raised to Hunt, about his experiences growing up in culture of hunting in North Dakota. He has since further explored northern environments in his more recent projects: Places of Worship, Portraits of Home, and The Broncos of Miles City.

His work is featured at Culturehall, an online artist portfolio.

Tuesday, March 31, 2009

SLINKY

Slinky was invented by Naval engineer Richard James. He knocked a spring off of a shelf when he was working to develop springs that could keep ship instruments stable in choppy waters. The spring did what a Slinky does… it stepped down to a stack of books, then to the table, and then to the floor, where it righted itself into a cylinder. James knew it would be a great toy, and tests by neighborhood kids proved him right.

Friday, March 27, 2009

Bathtub IV


Bathtub IV from Keith Loutit on Vimeo.

See: Keith Loutit.

Keith Loutit is a Sydney based photographer. "These photographs and short films were made in ordinary places, probably not too unlike where you live. Combining a variety of techniques including tilt-shift and time-lapse photography, I aim to help people take a second look at places that are familiar to them."

Guitar Store

From David Rager.

Tuesday, March 24, 2009

The End of the World - New Print From Keep Calm

THE END OF THE WORLD (REALLY BUILT TO LAST) is Paris-based artist Matthew Rose's latest surreal fantasy about the fragility of world we live in and the end of the world we've built. 
 
Based on an original collage from 2008, THE END OF THE WORLD, reports from the frontiers of the real and dream worlds, where foods and animals, naughty little boys and errant little girls enter into the visual field and run, jump, hang and float in and around an assortment of human narratives that are veering dangerously out of control. Like in life.

This work, and others in the series, will appear in Masters of Collage (Lark Publishing, USA) in May 2010 along with 40 other contemporary artists.

This full color print measures 25 x 25 cm, and also has a border for framing.  Signed and numbered in an edition of 85, the print, produced by Lalande Digital Art Press Paris costs 38 UK Pounds exclusively from Keep Calm Gallery.  Click here to go to Keep Calm Gallery to see detailed images and order.

Friday, March 20, 2009

Bernard Madoff Webcam: Pay Back Scheme

How to payback the billions Bernard Madoff ripped off? Set up the Bernie Madoff Live Webcam. For $1 buck a click, this pay per view of Bernard Madoff in his prison diggs will generate billions, the monies of which go back to those he ripped off. Comments? Any partnership ideas out there? Get in touch!

Click here to check out this other great Bernie Madoff Site...free Madoff Toilet Paper.

Wednesday, March 18, 2009

Caterina Verde : All You Can't Eat

 
Image: POVERTY IS A LUXURY I CAN'T AFFORD. © 2009 Caterina Verde.
VISIT: Caterina Verde All You Can't Eat.

Supply & Demand: Shepard Fairey At The ICA Boston


Guns & Roses, Shepard Fairey, 2007.

Fairey, who is enjoying his first museum retrospective at the ICA Boston, brings together elements of the UK street artist Banksy, the factory-and self-obsessed Mark Kostabi, Russian Constructivism and propaganda to great effect.

Thursday, March 12, 2009

Gloria Zein : Migration One Bernauer Straße Berlin

Gloria Zein, "Migration 1," 2008
C-print, Größe variabel.
Ausstellungsansicht "Glück gehabt - Kunst im Untergrund," 2008, NGBK Berlin. U-Bahnhof Bernauer Straße.

Sunday, March 1, 2009

Ray Johnson. Please Add to & Return

Ray Johnson. Please Add to & Return
28 February – 10 May 2009

Thank you Alex Sainsbury for bringing Ray Johnson to London.

Raven Row’s inaugural exhibition is the first large UK show of the collages and mailings of New York artist Ray Johnson (1927–1995). Johnson used radical means to construct and distribute images, inadvertently inventing the ‘mail art movement’. He made art out of social life – both real and imagined – gathering celebrities, the art world, and friends into his work. His influence on twentieth century art far exceeds the recognition he receives.

‘Ray Johnson. Please Add to & Return’ will represent Johnson’s mailings, objects he regarded as gifts and thus contrary to the market, equally with the collage works he made for gallery exhibition in the sixties and seventies. Also included will be the collages he subjected to a seemingly endless process of reworking and overlaying, which were found signed with multiple dates and neatly arranged in his house at the time of his death.

Raven Row 56 Artillery Lane London E1 7LS T +44 (0)20 7377 4300 E: info@ravenrow.org

Wednesday, February 18, 2009

JE N'AIME QUE TOI






















You can download this poster
JE N'AIME QUE TOI for free if you like: AFFICHE/POSTER.

Shave Your Head : Skin Deep Advertising


Rita Thomas and Rob Powers were among 30 people who agreed to advertise Air New Zealand on their bald heads last November. They were paid in cash or free tickets to New Zealand.

Tuesday, February 10, 2009

MAI 68 AFFICHES

Keep Calm Gallery is celebrating revolution with a range of silk-screened street posters from May 1968.  Each poster is available for about 30 euros each. But hurry if you want one, many are already sold out.

To commemorate the revolutionary spirit of 1968 the Hayward Gallery is presenting the first major display in the UK of posters produced by students and workers in Paris during strikes of May 1968.

Produced anonymously by art students and striking workers, the posters were distributed for free. The bold graphic messages appeared on the barricades, were carried in demonstrations and plastered on walls across France. The exhibition at the Hayward Gallery will include 46 posters taken from the collection of the American writer and curator Johan Kugelberg.

The year of 1968 was one of great political and social upheaval in France. Anger and frustration over issues such as poverty and unemployment gave rise to a mass movement for social change. A wave of strikes, walkouts and demonstrations by students followed by a general strike, paralysed the French capital.

In the middle of May 1968 students and faculty took over the Ecole des Beaux Arts to form the Atelier Populaire (popular workshop), producing hundreds of silkscreen posters in an extraordinary outpouring of politically graphic art. Described as ‘weapons in the service of the struggle’ the purpose and intended locations for the posters were the streets and factories where the struggles were taking place. (Text from www.parismai68.net)

To coincide with the exhibition and to commemorate the 40 year anniversary of the Paris riots of 1968 a limited edition book has been produced by The Orange Dot. Each book contains hand screen printed reproductions of 40 original Mai 68 posters. Keep Calm Gallery are pleased to have been given the opportunity to offer a very limited number of printers proofs of these reproductions. Unlike the posters collated in the limited edition Mai 68 books, these printers proofs are available individually at Keep Calm Gallery for a short time only.

Bikini Dance

funny gifs

Tuesday, February 3, 2009

Fire : Cabinet Magazine

Years ago I wrote an article entitled Airport Disease for Cabinet magazine.  The piece, about an Iranian refugee living at the Paris airport for 14 years (more towards the end), proved bizarre enough to interest Steven Spielberg to lift the story for a film, The Terminal, starring Tom Hanks and Catherine Zeta-Jones.  I wrote another piece for The New York Times Magazine about "Alfred," and yet another piece for Premiere, when the film came out.

Cabinet remains one of the finest and most compelling magazines around.  The newest issue is about "Fire."

Check out Cabinet here.
 

 

Tuesday, January 20, 2009

Obama Office : Kenya

A sign reading 'Official Obama Office' hangs outside a classroom of the Kogelo primary school, during celebrations ahead of U.S. President-elect Barack Obama's inauguration in Washington D.C., in Kogelo, Kenya, Tuesday, Jan. 20, 2009. Across Kenya, neighbors engulfed in political violence only a year ago came together Tuesday to celebrate the U.S. presidential inauguration of Kenya's favorite son, Barack Obama. (AP Photo / Riccardo Gangale)