Keith Donovan, a painter based in Le Jouhet, France, recently produced a hand painted erotic English armchair for collector in Switzerland and he's shared this with Store Front Windows. The chair, originally a family heirloom, was transformed with erotic images this September into a high-end work of art. One might say this is a perfect love seat, but you'd have to be sitting on someone to fit. Perhaps that's the idea. Hot seat.
Donovan follows a long history of artists who have reworked chairs, tables, even baby cribs as renovated art objects – such as Keith Haring, Claes Oldenburg, Marcel Broothaers among others.
"The image concerns heroic postures, and the memory of gentlemen who roamed the world and sat (later on) to recount the highs and lows. It's andropausal in a way."
The images hail from 18th century French engravings from five different artists including the widely celebrated erotic Frenchman, Borel.
Check out the web site: Keith Donovan,
Sunday, September 19, 2010
Friday, September 17, 2010
Banksy Speaks
"But I can't help feeling it was a bit easier when all I had to compete against was a dustbin down an alley rather than, you know, a Gainsborough or something."
– Banksy on his rising fame, from the article in the The Sun UK.
– Banksy on his rising fame, from the article in the The Sun UK.
Sunday, September 12, 2010
Yoshitomo Nara: Nobody's Fool At The Asia Society New York City
I met Yoshitomo Nara eight years ago just outside of Paris during an exhibition of his works at the Cneai, for his exhibition "Who snatched the babies?"
That show featured his full on take on snarling little girls wielding guns and knives. The Cneai was jam packed with works and each one had, it seemed, taken the artist on some personal trip into anger, frustration, solitude and yet a distinct sense of humor and irony about it all.
The paintings and drawings – some of them whipped out fairly quickly – were all lovingly made.
At the time I was writing a piece on superflat Japanese pop art that included a massive group exhibition by Takashi Murakami at the Fondation Cartier in Paris. [That review exists but is no longer on the net; if you'd like to see it I can e mail you the PDFs. Write: Editor SFW.]
Mr. Nara who then spoke a halting English was very relaxed, hanging out with a bunch of his friends both Japanese and French, adorned in rock star sunglasses and enjoying the quiet reception for his work.
The artist was kind enough to sign a catalog for me, and even added a drawing of one of his signature little snarling girls blasting through space in a Jetson-like vessel. Since then, of course, Yoshitomo Nara's career has defied any notion of gravity. He has skyrocketed into the highest echelons of the art world (and art market) with these extremely simple but wildly sophisticated works. Oddly enough, reaction to Mr. Nara's work is almost always joy and laughter. At least that's from my informal poll.

He is a generous if slightly tortured artist who, as Roberta Smith writing in The New York Times noted, has seamlessly moved from high to low and all the middle genres in art without missing a step.
The artist now takes on New York with “Yoshitomo Nara: Nobody’s Fool” on view through Jan. 20 at Asia Society Museum, 725 Park Avenue, at 70th Street; (212) 288-6400. Asia Society Website.
See: Roberta Smith's review in NYT (September 9, 2010).
That show featured his full on take on snarling little girls wielding guns and knives. The Cneai was jam packed with works and each one had, it seemed, taken the artist on some personal trip into anger, frustration, solitude and yet a distinct sense of humor and irony about it all.
The paintings and drawings – some of them whipped out fairly quickly – were all lovingly made.
At the time I was writing a piece on superflat Japanese pop art that included a massive group exhibition by Takashi Murakami at the Fondation Cartier in Paris. [That review exists but is no longer on the net; if you'd like to see it I can e mail you the PDFs. Write: Editor SFW.]
Mr. Nara who then spoke a halting English was very relaxed, hanging out with a bunch of his friends both Japanese and French, adorned in rock star sunglasses and enjoying the quiet reception for his work.
He is a generous if slightly tortured artist who, as Roberta Smith writing in The New York Times noted, has seamlessly moved from high to low and all the middle genres in art without missing a step.
The artist now takes on New York with “Yoshitomo Nara: Nobody’s Fool” on view through Jan. 20 at Asia Society Museum, 725 Park Avenue, at 70th Street; (212) 288-6400. Asia Society Website.
See: Roberta Smith's review in NYT (September 9, 2010).
Martin Wöhrl At Emmanuel Perrotin Paris
Martin Wöhrl, Munich-based sculptor, at his opening in Paris at Galerie Emmanuel Perrotin, 10 impasse Saint Calude 75003 Paris), in front of one of his sun sculptures. The pieces, he said, are composed of bits of cut wood that nobody wants. They are composed using a range of colors from laminated wood and formica, a 1970s expression of home décor. Other works are square or rectangular and riff off of a number of formalists from Malevich to Albers to Christian Eckhardt.Photo: Martin Wöhrl in front of one of his works in Paris.
The New Yorker, writing about his debut exhibition in NYC, said of his assemblages "they call to mind shabby-chic artifice."
This is the 37-year old artist's first exhibition in Paris, and the ensemble of the dozen pieces fits perfectly in this chapel-like space.
Wöhrl is represented by Spencer Brownstone in New York.
Friday, September 10, 2010
Pinocchio
Pinocchio is a fictional character that first appeared in 1883, in The Adventures of Pinocchio by Carlo Collodi.
Collage by Matthew Rose. 2010.
Collage by Matthew Rose. 2010.
Sunday, September 5, 2010
Max's Kansas City : 1968
From left, Paul Morrissey, Andy Warhol, Janis Joplin and Tim Buckley, at Max’s Kansas City, 1968
Courtesy Elliott Landy/Landyvision and Steven Kasher Gallery, NYC
Randy Kennedy article and photos from the NYT.
Courtesy Elliott Landy/Landyvision and Steven Kasher Gallery, NYC
Randy Kennedy article and photos from the NYT.
Wednesday, September 1, 2010
Cutlog 2010 New Contemporary Art Fair Paris
Cutlog’s next edition will take place at the Bourse du Commerce, october 21-24, 2010.
Download the registration form for cutlog 2010 here
cutlog is a contemporary art fair in the heart of Paris, situated under the 1000 m2 dome of the Bourse du Commerce, 100 metres from the Cour Carrée du Louvre, between Beaubourg (Centre Pompidou), Concorde (Jeu de Paume museum) and the Grand Palais.
Both an alternative and a complement to current parisian and international art fairs, cutlog is a vibrant intersection for artists, collectors, gallerists, curators and museum directors worldwide. The 30 to 40 galleries chosen to participate in cutlog 2010 will be selected for their independent or emerging status, or their ongoing support for emerging artists across the globe. cutlog will welcome a large number of private collectors and prestigious institutions, both French and International. cutlog’s jury will award a prize to the fair’s most surprising artist as well as an invitation to exhibit independently at cutlog 2011.
Tuesday, August 17, 2010
The Art Cure: THE ART CURE's International Artists Call
The Art Cure: THE ART CURE's International Artists Call: "We’ve had very warm responses from non-local artists wishing to donate artwork to The Art Cure project but not fitting the criteria of havin..."
Sunday, August 15, 2010
Friday, August 6, 2010
Thursday, August 5, 2010
Thursday, July 15, 2010
The Unbearable Lightness Of Mercede Johnston
While reading Gail Collins column in today's New York Times, I learned that a subplot in the made-for-television romance, drama, tragedy, comedy that is Sarah Palin and her brood and her brood's made-for-television romance, drama, etc., Mercede Johnston, Levi's sister, has been blogging away up in Wasilla. And she tells all. Well, she tells as much as she can tell and she gripes away in between photos of herself and Bristol and Levi and stories about four-wheeling up in Alaska.
So if you haven't spent an hour of your life reading through the backwoods of the Levi Johnston - Bristol Palin story told from a family member in a free-form diary, enjoy Mercede Johnston.
http://www.mercedejohnston.com/
So if you haven't spent an hour of your life reading through the backwoods of the Levi Johnston - Bristol Palin story told from a family member in a free-form diary, enjoy Mercede Johnston.
http://www.mercedejohnston.com/
Monday, July 5, 2010
Shakespeare & Company Paris
The bulletin board at Shakespeare & Company, Paris. Notes and photomaton shots from visitors in the kids reading corner at the famed Paris bookshop on the Left Bank.
Tuesday, June 22, 2010
Collage By Cecil Touchon
Dallas artist, Cecil Touchon, takes his work on the road to Santa Fe's Nuart Gallery, in an expansive exhibition from his "Post Dogmatist" series – collage-inspired paintings and collages in all varieties of post dogmatist incarnations.
Touchon's painted works on canvas are based upon his own collage compositions and provide a kind of hyper mirror of the found bits and pieces in carefully produced designs that echo the broken record of visual data found on street walls throughout the world. Using fragments of torn poster texts and type, the artist has re-imagined visual consciousness as still photos with beguiling, moving parts. Strict color schemes – and sometimes Bauhaus-inspired designs – offer a visual fluency of not only modernist tendencies, but contemporary ones. The results are rich and well-wrought visual poems stripped down to their barest of bones.
(Pictured above: Post Dogmatist Painting 287, acrylic on birch panel, 40 x 30 inches).
Touchon's The Art of Collage runs through July 4, 2010. Click to see installation shots.
Details: The Art of Collage/Cecil Touchon. The Nuart Gallery 670 Canyon Road Santa Fe, NM 87501 Telephone: 505.988.3888
Touchon's painted works on canvas are based upon his own collage compositions and provide a kind of hyper mirror of the found bits and pieces in carefully produced designs that echo the broken record of visual data found on street walls throughout the world. Using fragments of torn poster texts and type, the artist has re-imagined visual consciousness as still photos with beguiling, moving parts. Strict color schemes – and sometimes Bauhaus-inspired designs – offer a visual fluency of not only modernist tendencies, but contemporary ones. The results are rich and well-wrought visual poems stripped down to their barest of bones.
(Pictured above: Post Dogmatist Painting 287, acrylic on birch panel, 40 x 30 inches).
Touchon's The Art of Collage runs through July 4, 2010. Click to see installation shots.
Details: The Art of Collage/Cecil Touchon. The Nuart Gallery 670 Canyon Road Santa Fe, NM 87501 Telephone: 505.988.3888
Friday, June 18, 2010
Wordpapering The World: Neolipic By John M. Bennett
Just out, Neolipic by John M. Bennett is a linguistic masterpiece. And it's a free eBook from lulu.com.
About Neolipic: 158 poems (or barely constrained outbursts) written in the Spring of 2009 in which John M. Bennett tries to reformat the world with a swarm of linguistic distortions and formal jiggling, bursting out of the thin shirt of consciousness to reveal what's out there and also what's in there. The poems are textual, visual, aural, multi-lingual (English, Spanish - or their simulacra - and bits of French and Globbolalia). Unlike anything else written.
Here is what others have said about John Bennett and his Neolipic:
"A bypassing into the region, a crossing over the border and a controlled/violent journey into the genius that is John M. Bennett. A living legend that in so many ways serves us that geography that we so richly need." – Chris Mansel
Click here to go to Neolipic's download site from lulu.com.
About Neolipic: 158 poems (or barely constrained outbursts) written in the Spring of 2009 in which John M. Bennett tries to reformat the world with a swarm of linguistic distortions and formal jiggling, bursting out of the thin shirt of consciousness to reveal what's out there and also what's in there. The poems are textual, visual, aural, multi-lingual (English, Spanish - or their simulacra - and bits of French and Globbolalia). Unlike anything else written.
Here is what others have said about John Bennett and his Neolipic:
"A bypassing into the region, a crossing over the border and a controlled/violent journey into the genius that is John M. Bennett. A living legend that in so many ways serves us that geography that we so richly need." – Chris Mansel
"Not merely a poet, John M. Bennett is almost a species unto himself. Every utterance becomes poetry, from the sweetest lines to the raw animal grunts that initially designated something new was happening on the planet. And new is what you get with Neolipic. It's the new word, the new way to allow words to happen, to allow the senses to reconfigure around what the mouth is doing. It's all charted here in Bennet's unbridled eruptions in which the past is erased and the future is impossible. To read this book is like bleeding for joy. A master at work. Don't be a sap. Download it!" – Jake Berry
Click here to go to Neolipic's download site from lulu.com.
Wednesday, June 2, 2010
Rob White's The Art Hole
UK artist, Rob White has just relaunched his online art shop THE ARTHOLE.
The irreverent British artist is selling original drawings, paintings and prints. The A3-sized prints are produced on Hahnemuhle Torchon 285gsm acid free archival paper, which has a bright white parchment-like surface.
The twelve colour digital print technology guarantees high definition reproduction with UV safe pigments. Each print is limited edition and signed by the artist.
To go shopping: www.thearthole.co.uk/shop
The irreverent British artist is selling original drawings, paintings and prints. The A3-sized prints are produced on Hahnemuhle Torchon 285gsm acid free archival paper, which has a bright white parchment-like surface.
The twelve colour digital print technology guarantees high definition reproduction with UV safe pigments. Each print is limited edition and signed by the artist.
To go shopping: www.thearthole.co.uk/shop
Monday, May 31, 2010
Marc Quinn At White Cube London
Marc Quinn, Buck & Allanah, 2009.
Orbital sanded and flap wheeled lacquered bronze
65 3/4 x 41 5/16 x 17 11/16 in. (167 x 105 x 45 cm). © The artist; Courtesy White Cube.
Photo: Roger Wooldridge.
Orbital sanded and flap wheeled lacquered bronze
65 3/4 x 41 5/16 x 17 11/16 in. (167 x 105 x 45 cm). © The artist; Courtesy White Cube.
Photo: Roger Wooldridge.
Sunday, May 2, 2010
Mark's Interiors of Boca Raton, Florida
SFW's loves consignment shops of all flavors. These small and intimate stores peek into the recent and distant past culling out for display (and sale) some of the more interesting pieces of our lives – for sale!
Mark's Interiors of Boca Raton, Florida is the kind of place where you find the rare and unusual item whether it's a 1940s Waterford cut glass pitcher or a pop art style pair of bar chairs, a cool cigarette stand, 1950s brass lamp or turn-of-the-century etchings. The shop is packed with pre-owned furniture, all excellent quality, at prices that simply astonish.
Located on 67 South Federal Highway, Boca Raton, Florida (Tel: 561.391.1052), Mark's shop is nestled in an entire block of high-end consignment shops.
Mark has been in business for nearly 20 years. If you have estate furniture and household furnishings, he will come to your house and inventory everything, and once in the store, every item is tagged and computerized.
Web site: http://www.marksconsignment.com/
Mark's Interiors of Boca Raton, Florida is the kind of place where you find the rare and unusual item whether it's a 1940s Waterford cut glass pitcher or a pop art style pair of bar chairs, a cool cigarette stand, 1950s brass lamp or turn-of-the-century etchings. The shop is packed with pre-owned furniture, all excellent quality, at prices that simply astonish.
Located on 67 South Federal Highway, Boca Raton, Florida (Tel: 561.391.1052), Mark's shop is nestled in an entire block of high-end consignment shops.
Mark has been in business for nearly 20 years. If you have estate furniture and household furnishings, he will come to your house and inventory everything, and once in the store, every item is tagged and computerized.
Web site: http://www.marksconsignment.com/
Thursday, April 15, 2010
Public memorial in honor of Nancy Spero
Public memorial in honor of Nancy Spero
Sunday, April 18, 3:00pm
The Great Hall at Cooper Union
7 East 7th Street
New York, NY 10003
Photo © Abe Frajndlich, 1987
Galerie Lelong, the Nancy Spero & Leon Golub Foundation for the Arts, and Paul, Philip and Steven Golub are pleased to announce a public memorial in honor of Nancy Spero on Sunday, April 18th at 3:00pm at The Great Hall at Cooper Union (7 East 7th Street). Speakers will include Robert Storr, Jon Bird, Donna De Salvo, Bartomeu Marí, Benjamin Buchloh, Kiki Smith, Christopher Lyon, Hans Ulrich Obrist, and a musical performance by Nora York. A reception will follow.
Nancy Spero (b.1926), one of the most influential artists of the twentieth and twenty-first centuries, passed away on October 18, 2009 at the age of 83. For over fifty years, Spero made the female experience central to her art's formal and thematic development. Her radical career encompassed many significant visual and cultural movements from Conceptual Art to Post-Modernism to Feminism.
After studying at the Art Institute of Chicago and l'École des Beaux-Arts in Paris, Spero moved to New York in 1964. In Europe, Spero produced her first significant works, the Black Paintings—somber, figurative works allusive of existential oppositions and emotional turmoil. These works were made at a time when Pop Art and Minimalism were the focuses in the art world, marking Spero's first consistent oppositions to the prevailing conventions in art making. Nancy Spero's return to the U.S. in 1964 coincided with the ongoing Vietnam War and the civil rights movement. In this charged political climate, her passionate engagement with these issues engendered the groundbreaking aesthetic style and the political and feminist themes for which she is now known. The War Series was Spero's first significant body of work on paper, a support she would favor for the majority of her working career. Described by Spero as "broadsides," The War Series depicted women and children as v ictims of war and suffering, a theme that would occupy Spero for the next forty years.
Following The War Series, Spero produced two bodies of work: the Artaud Paintings and the Codex Artaud series, based on the French poet Antonin Artaud, whom Spero described as the "most extreme writer of the 20th Century." In reading Artaud, Spero coined the term "victimage," making a parallel between Artaud's language and her feeling of the "loss of tongue" as a female artist in a male-dominated art world. One of Spero's great inventions was the fracturing of text and image in the Codex Artaud works, which some critics have described as the first works of Post-Modernism. Following the Artaud series, Spero began work on her pioneering and critically lauded scroll series: Hours of the Night, 1974 (collection Whitney Museum of American Art), Notes in Time on Women, 1979 (collection Museum of Modern Art, New York) and Torture of Women, 1976 (collection National Gallery of Canada, Ottawa).
In 2005, Spero created Cri du Coeur, her last monumental scroll work on paper, which depicts a continuous band of ancient Egyptian female mourners from the tomb of Ramose of Thebes. The striking images in Cri du Coeur reference women mourning losses in Iraq, Kashmir, and New Orleans, at the time of the making of this work. A similarly important work, Maypole/Take No Prisoners was presented in the entrance hall of the Italian Pavilion at the 2007 Venice Biennale. Maypole/Take No Prisoners, a thirty-five-foot-tall hanging mobile featured severed heads dangling from red ribbons, commenting on the war in Iraq.
In 2008, the Museu d'art Contemporani Barcelona organized a full-scale retrospective, Nancy Spero: Dissidances, which traveled to the Museo Nacional Centro de Arte Reina Sofia, Madrid, and the Centro Andaluz de Arte Contemporáneo, Seville. The Centre Georges Pompidou, Paris will present a retrospective exhibition of her work in 2010.
Nancy Spero was married to the artist Leon Golub (1922–2004) for over fifty years. In 1996, together they received the Hiroshima Art Prize—awarded to contemporary artists for their achievements in promoting world peace—and exhibited at the Hiroshima City Museum of Contemporary Art. Spero is survived by her three sons—Stephen Golub of Swarthmore, Pennsylvania; Philip Golub of Paris; and Paul Golub of Paris—six grandchildren; and sister, Carol Newman of Portland, Oregon.
Sunday, April 18, 3:00pm
The Great Hall at Cooper Union
7 East 7th Street
New York, NY 10003
Photo © Abe Frajndlich, 1987
Galerie Lelong, the Nancy Spero & Leon Golub Foundation for the Arts, and Paul, Philip and Steven Golub are pleased to announce a public memorial in honor of Nancy Spero on Sunday, April 18th at 3:00pm at The Great Hall at Cooper Union (7 East 7th Street). Speakers will include Robert Storr, Jon Bird, Donna De Salvo, Bartomeu Marí, Benjamin Buchloh, Kiki Smith, Christopher Lyon, Hans Ulrich Obrist, and a musical performance by Nora York. A reception will follow.
Nancy Spero (b.1926), one of the most influential artists of the twentieth and twenty-first centuries, passed away on October 18, 2009 at the age of 83. For over fifty years, Spero made the female experience central to her art's formal and thematic development. Her radical career encompassed many significant visual and cultural movements from Conceptual Art to Post-Modernism to Feminism.
After studying at the Art Institute of Chicago and l'École des Beaux-Arts in Paris, Spero moved to New York in 1964. In Europe, Spero produced her first significant works, the Black Paintings—somber, figurative works allusive of existential oppositions and emotional turmoil. These works were made at a time when Pop Art and Minimalism were the focuses in the art world, marking Spero's first consistent oppositions to the prevailing conventions in art making. Nancy Spero's return to the U.S. in 1964 coincided with the ongoing Vietnam War and the civil rights movement. In this charged political climate, her passionate engagement with these issues engendered the groundbreaking aesthetic style and the political and feminist themes for which she is now known. The War Series was Spero's first significant body of work on paper, a support she would favor for the majority of her working career. Described by Spero as "broadsides," The War Series depicted women and children as v ictims of war and suffering, a theme that would occupy Spero for the next forty years.
Following The War Series, Spero produced two bodies of work: the Artaud Paintings and the Codex Artaud series, based on the French poet Antonin Artaud, whom Spero described as the "most extreme writer of the 20th Century." In reading Artaud, Spero coined the term "victimage," making a parallel between Artaud's language and her feeling of the "loss of tongue" as a female artist in a male-dominated art world. One of Spero's great inventions was the fracturing of text and image in the Codex Artaud works, which some critics have described as the first works of Post-Modernism. Following the Artaud series, Spero began work on her pioneering and critically lauded scroll series: Hours of the Night, 1974 (collection Whitney Museum of American Art), Notes in Time on Women, 1979 (collection Museum of Modern Art, New York) and Torture of Women, 1976 (collection National Gallery of Canada, Ottawa).
In 2005, Spero created Cri du Coeur, her last monumental scroll work on paper, which depicts a continuous band of ancient Egyptian female mourners from the tomb of Ramose of Thebes. The striking images in Cri du Coeur reference women mourning losses in Iraq, Kashmir, and New Orleans, at the time of the making of this work. A similarly important work, Maypole/Take No Prisoners was presented in the entrance hall of the Italian Pavilion at the 2007 Venice Biennale. Maypole/Take No Prisoners, a thirty-five-foot-tall hanging mobile featured severed heads dangling from red ribbons, commenting on the war in Iraq.
In 2008, the Museu d'art Contemporani Barcelona organized a full-scale retrospective, Nancy Spero: Dissidances, which traveled to the Museo Nacional Centro de Arte Reina Sofia, Madrid, and the Centro Andaluz de Arte Contemporáneo, Seville. The Centre Georges Pompidou, Paris will present a retrospective exhibition of her work in 2010.
Nancy Spero was married to the artist Leon Golub (1922–2004) for over fifty years. In 1996, together they received the Hiroshima Art Prize—awarded to contemporary artists for their achievements in promoting world peace—and exhibited at the Hiroshima City Museum of Contemporary Art. Spero is survived by her three sons—Stephen Golub of Swarthmore, Pennsylvania; Philip Golub of Paris; and Paul Golub of Paris—six grandchildren; and sister, Carol Newman of Portland, Oregon.
Tuesday, April 13, 2010
Thursday, March 25, 2010
John Himmelfarb : Geared Up At Luise Ross Gallery New York City, NY
John Himmelfarb's astonishing new sculptures in bronze and plywood as well as large-scale paintings are on view at the Luise Ross Gallery in New York City through April 17, 2010.
See the work: John Himmelfarb at Luise Ross Gallery.
Himmelfarb is one of the most innovative artists working today. His sense of line in everything he produces is absolutely his own. You can see it in the drawings, prints and now in the sculptures. His work is collected across the United States and in Europe. He recently produced the iron gates for the Duncan home (and collection) in Lincoln, Nebraska.
The work pictured here is a new turn in the artist's oeuvre – taking to plywood to create one of his signature trucks. A large scale (actual truck) was recently produced and a slide show is now on his web site, here: CONVERSION, LINCOLN, NEBRASKA.
Himmelfarb lives and works in Chicago, Illinois. His most recent book is a compendium of his prints: The Prints of John Himmelfarb : A Catalogue Raisonné 1967 - 2004. (Hudson Hills Press, Manchester, Vermont).
See the work: John Himmelfarb at Luise Ross Gallery.
Himmelfarb is one of the most innovative artists working today. His sense of line in everything he produces is absolutely his own. You can see it in the drawings, prints and now in the sculptures. His work is collected across the United States and in Europe. He recently produced the iron gates for the Duncan home (and collection) in Lincoln, Nebraska.
The work pictured here is a new turn in the artist's oeuvre – taking to plywood to create one of his signature trucks. A large scale (actual truck) was recently produced and a slide show is now on his web site, here: CONVERSION, LINCOLN, NEBRASKA.
Himmelfarb lives and works in Chicago, Illinois. His most recent book is a compendium of his prints: The Prints of John Himmelfarb : A Catalogue Raisonné 1967 - 2004. (Hudson Hills Press, Manchester, Vermont).
Friday, March 5, 2010
Surrealestate: Art Call For Mobius
SURREALESTATE is an artist call for works to benefit Mobius, the Boston-based artist run cultural center.
Mobius Fundraiser and art bash for Mobius Artrages 2010 is looking for all sorts of artist-made post cards (4 x 6 inches) to go towards keeping Mobius in business.
DEADLINE: MAY 1, 2010
THEME: SURREALESTATE
ARTBASH/FUNDRAISER: MAY 8, 2010.
SEND WORK TO: Jane Wang
Mobius, Inc.
725 Harrison Ave, Suite One
Boston MA 02118 USA
Performances, installations and art goings on are promised for the evening. The theme for Artrages 2010: SURREALESTATE was conceived by Mobius' board member, Lou Susi, a performance and visual artist.
Mobius is teetering on bankruptcy and the SURREALESTATE fundraiser a last-ditch effort to raise money/awareness to buy the space Mobius has been renting.
DETAILS ABOUT THE CALL:
A 4x6 postcard with one side containing your artwork and the other side with a handwritten or printed or typed word/sentence/phrase -anything you would like to say - in ANY LANGUAGE - related to Surrealestate.
Your handwritten signature somewhere would be greatly appreciated!
What surrealestate means to you is completely open.
The cards will be exhibited and then sold or used as prizes during Mobius Artrages 2010.
All materials will be accepted - the DEADLINE IS MAY 1ST, 2010 to allow a week to organize the cards for the exhibition. No materials will be returned, the works will be considered 100% donations to Mobius, Inc.
In lieu of a blog, this public facebook page has been set up for all the cards submitted.
If you are a facebook member, please upload a photo of your work (just the artwork side) and tag your name and feel free to add any comments/links about yourself and your work - however again please to not reveal what it says on the "hidden" side of your card. This will be revealed at Mobius Artrages 2010.
If YOU ARE NOT A FACEBOOK member, please email a jpeg file of your work to
Jane@mobius.org
Subject: 4x6 SURREALESTATE Photo
and your photo will be posted.
PLEASE SEND YOUR POSTCARD (physical work of art) TO:
ATTN: Jane Wang
Mobius, Inc.
725 Harrison Ave, Suite One
Boston MA 02118 USA
QUESTIONS:
E-mail Jane@mobius.org or via FaceBook directly if you wish with 4x6 Surrealestate in the subject line if you can.
AND FINALLY: Please post this call on your own websites and invite any artists you know who might be interested in this call.
Mobius Fundraiser and art bash for Mobius Artrages 2010 is looking for all sorts of artist-made post cards (4 x 6 inches) to go towards keeping Mobius in business.
DEADLINE: MAY 1, 2010
THEME: SURREALESTATE
ARTBASH/FUNDRAISER: MAY 8, 2010.
SEND WORK TO: Jane Wang
Mobius, Inc.
725 Harrison Ave, Suite One
Boston MA 02118 USA
Performances, installations and art goings on are promised for the evening. The theme for Artrages 2010: SURREALESTATE was conceived by Mobius' board member, Lou Susi, a performance and visual artist.
Mobius is teetering on bankruptcy and the SURREALESTATE fundraiser a last-ditch effort to raise money/awareness to buy the space Mobius has been renting.
DETAILS ABOUT THE CALL:
A 4x6 postcard with one side containing your artwork and the other side with a handwritten or printed or typed word/sentence/phrase -anything you would like to say - in ANY LANGUAGE - related to Surrealestate.
Your handwritten signature somewhere would be greatly appreciated!
What surrealestate means to you is completely open.
The cards will be exhibited and then sold or used as prizes during Mobius Artrages 2010.
All materials will be accepted - the DEADLINE IS MAY 1ST, 2010 to allow a week to organize the cards for the exhibition. No materials will be returned, the works will be considered 100% donations to Mobius, Inc.
In lieu of a blog, this public facebook page has been set up for all the cards submitted.
If you are a facebook member, please upload a photo of your work (just the artwork side) and tag your name and feel free to add any comments/links about yourself and your work - however again please to not reveal what it says on the "hidden" side of your card. This will be revealed at Mobius Artrages 2010.
If YOU ARE NOT A FACEBOOK member, please email a jpeg file of your work to
Jane@mobius.org
Subject: 4x6 SURREALESTATE Photo
and your photo will be posted.
PLEASE SEND YOUR POSTCARD (physical work of art) TO:
ATTN: Jane Wang
Mobius, Inc.
725 Harrison Ave, Suite One
Boston MA 02118 USA
QUESTIONS:
E-mail Jane@mobius.org or via FaceBook directly if you wish with 4x6 Surrealestate in the subject line if you can.
AND FINALLY: Please post this call on your own websites and invite any artists you know who might be interested in this call.
Saturday, February 20, 2010
Artybuzz.com : Artists' Web Window
Sometimes we at Storefrontwindows promote other store front windows, and this month, we're shining a light on Artybuzz.com, created by Richard Wilde. Here anyone the ability to upload images of their artwork which can then be sold as prints, canvases, t shirts, etc.
Image: Shaun Crump's BIG FOOT.
Here is what Richard told us about the site/community:
Artybuzz.com is free to join and gives every member their own dedicated online space to showcase and sell their work from. The website is based around a community ethos, and gives members the ability to join and create their own groups, advertise their exhibitions and events, interact with other creatives and gain feedback on their work through a comments system.
“Artybuzz provides a hassle free way for creatives to get their work noticed and sold," said Richard. "All people have to do is set their price, upload images of their work and choose the products they want to sell on. When artworks are purchased, we manufacture and distribute orders on behalf of our members and then send them their earnings.” Artybuzz takes no commission from sales and takes no subscription fee.
"Artybuzz.com operates internationally and prides itself on setting no restrictions on who can join its online community. Richard Wilde said, “at Artybuzz, we provide an indiscriminate place where creatives of all ages, abilities, styles and backgrounds can show and gain recognition for their work.” The website has a diverse range of art covering areas including, painting, sculpture, illustration, photography, design and more.
"The products that are made from the images members upload on Artybuzz are manufactured to the highest quality. Using top grade raw materials and the latest giclee printing processes means that Artybuzz can provide high quality goods consistently to all its customers. This ensures that its members artworks are reproduced to a standard that does the utmost justice to each piece.
Artists, photographers and designers who sell their work through Artybuzz retain all copyright over their images and are fully credited for everything they produce. They are also under no obligation to show their work exclusively on Artybuzz.com. Anyone interested in joining or adding their work just needs to go to www.artybuzz.com and create a free profile.”
Image: Shaun Crump's BIG FOOT.
Here is what Richard told us about the site/community:
Artybuzz.com is free to join and gives every member their own dedicated online space to showcase and sell their work from. The website is based around a community ethos, and gives members the ability to join and create their own groups, advertise their exhibitions and events, interact with other creatives and gain feedback on their work through a comments system.
“Artybuzz provides a hassle free way for creatives to get their work noticed and sold," said Richard. "All people have to do is set their price, upload images of their work and choose the products they want to sell on. When artworks are purchased, we manufacture and distribute orders on behalf of our members and then send them their earnings.” Artybuzz takes no commission from sales and takes no subscription fee.
"Artybuzz.com operates internationally and prides itself on setting no restrictions on who can join its online community. Richard Wilde said, “at Artybuzz, we provide an indiscriminate place where creatives of all ages, abilities, styles and backgrounds can show and gain recognition for their work.” The website has a diverse range of art covering areas including, painting, sculpture, illustration, photography, design and more.
"The products that are made from the images members upload on Artybuzz are manufactured to the highest quality. Using top grade raw materials and the latest giclee printing processes means that Artybuzz can provide high quality goods consistently to all its customers. This ensures that its members artworks are reproduced to a standard that does the utmost justice to each piece.
Artists, photographers and designers who sell their work through Artybuzz retain all copyright over their images and are fully credited for everything they produce. They are also under no obligation to show their work exclusively on Artybuzz.com. Anyone interested in joining or adding their work just needs to go to www.artybuzz.com and create a free profile.”
Friday, December 25, 2009
Shepard Fairey Does Venice, Silvio
Shepard Fairey, who rose to fame and made his mark with his wildly successful and now controversial Obama campaign poster, has left his mark here in Venice as well. During the June international art orgy known as the Venice Biennale, Fairey was brought to a tiny bar in the San Polo quarter near the Rialto Bridge by two Biennale hostesses, according to Guiliano, the bartender at Boteri Cafe. Photo: Matthew Rose."He was a little drunk, but very nice," says the barman. The Boteri, also known as Al Genovesi (San Polo 1701 Venezia) on the Calle Del Botteri, is a tiny little art hangout covered with Keith Haring inspired drawings. Fairey must have thought the café was ripe for some more American graffiti and so he returned the next day with a fat portfolio of his Obey propaganda and asked the owner if he could paper the back room with his designs. "No problem," said the owner, eager to have some live art to go with the Haring installation and create a wall-sized souvenir from a clandestine Venice Biennale.
The posters fit nearly perfectly and, while not a shrine for Fairey fans, it does give a contemporary glow to the place which is crowded at apero hour with older locals and crowded til one am with students and bohos.

I asked if there were any give-aways, but nothing was left, not even the stickers affixed to doors signaling that Shepard Fairey was here. Sort of retail friendly graffiti that is probably now on its way to eBay and auction sites the world over. However, you can pick up a new piece on your local newstand...
Fairey's trying to climb back on the sweet roll since his confession about the Obama poster mishagas. His latest foray into political scandal is an Italian love-hate story. The cover of The Rolling Stone featuring the recently clobbered-with-a-small souvenir model of the Milan Cathedral, Italian Premier, Silvio Berlusconi. [See it here].
Meanwhile, on Christmas Eve the Basilica San Marco was both mobbed by Venetian believers and flooded Noah-style from the ever-rising rushing acqua alta. So enjoy these pictures of the Venetian Lagoon waters running rampant over yet another Italian institution and art piece – floods get in your eyes.
Sunday, December 13, 2009
The Sedentary Ramblers : Trio Extraordinaire
Once in a generation, a band comes along that is unlike any that has come before it, and unlike any that will follow. A band so revolutionary, so innovative, it forever alters our musical landscape, even the course of life on earth. A band that makes its predecessors seem paltry and pedestrian, and leaves its successors hopeless in the face of a bar that has been set impossibly high.
"We are not that band," is the note on the home page of The Sedentary Ramblers. "But we are 3 guys who really like getting together to pick guitars and banjos, saw on fiddles, and bang around on washboards and spoons."
One music reviewer wrote: “That may be the second best version of ‘molly sniffed a possum toe’ I ever heard.” Another intoned: “Didn’t you guys play that one already?” But don't listen to them! The Sedentary Ramblers are rolling big time.
The Sedentary Ramblers are a trio of good ole boys from Georgia and beyond who have been bothering their friends for years, playing through floods and fires and bar room brawls, perfecting a sweet and joyful, sometimes mellow and soulful collection of classic songs with their own twist. The Sedentary Ramblers’ debut album was recorded live at Wolf Creek Cabin in Fannin County, GA. And : The CD is out now. Check out the sample sounds and bounce around with your own pair of spoons. Buy a copy for only $9.99 plus 2 bucks shipping and handling.
"We are not that band," is the note on the home page of The Sedentary Ramblers. "But we are 3 guys who really like getting together to pick guitars and banjos, saw on fiddles, and bang around on washboards and spoons."
One music reviewer wrote: “That may be the second best version of ‘molly sniffed a possum toe’ I ever heard.” Another intoned: “Didn’t you guys play that one already?” But don't listen to them! The Sedentary Ramblers are rolling big time.
The Sedentary Ramblers are a trio of good ole boys from Georgia and beyond who have been bothering their friends for years, playing through floods and fires and bar room brawls, perfecting a sweet and joyful, sometimes mellow and soulful collection of classic songs with their own twist. The Sedentary Ramblers’ debut album was recorded live at Wolf Creek Cabin in Fannin County, GA. And : The CD is out now. Check out the sample sounds and bounce around with your own pair of spoons. Buy a copy for only $9.99 plus 2 bucks shipping and handling.
Saturday, December 5, 2009
QUOI D'NEUF?
From The Paris Blog. The iconic Beaujolais Nouveau, France's high end version of the "new Coke" is celebrated every Third Thursday in November throughout the country. The country parties till 3 am and wakes up on Friday only to call into work sick.
Hervé Villemade is one of the prime vintners in France's new organic/natural wine wave and his "primeur" is QUOI D'NEUF, a wine named and labeled by Paris-based American artist Matthew Rose. Often available at LA CAVE DES PAPILLES and other like-minded cavists in Paris.
Friday, December 4, 2009
Paris : Double Trouble !!
An exhibition of new collage works by Matthew Rose and photographs by Bernard Matussière Private Bits & Autres Choses, is a one-day affair held in the historic quarters of Montparnasse. Double Trouble pairs the hapless with the happening and the mad with the magical. The public is invited to attend the show on Saturday, December 5, 2009 at the studio of Bernard Matussière, 37 Rue Froidevaux 75014 Paris (near the Montparnasse Cemetery), beginning at 2pm. Studio Matussière has also invited artists Sarah de Teliga and Max Mulhern to participate.
Bernard Matussière is well known for his work in fashion, art and journalism. His campaign for Aubade, the lingerie brand, Les Leçons du Désir, was posted throughout Paris some years ago and the images in black and white so sexy they were said to cause a number of auto accidents as drivers inadvertently hit the brakes. While Matussière has worked on hundreds of advertising campaigns, he is also acclaimed for his nudes. His book, Female Nudes, brings together some 100 images of women from his travels and studio work. The photographer has also travelled widely and his work in Afghanistan, Cambodia, Japan and Africa has been published all over the world. "This little exhibition is a way for me to show some new works," said Matussière, "and meet some new faces here in Paris."
Matthew Rose, long-time cut and paste collagist. His massive installations have created a stir with their surreal and complex wall-to-wall-to-ceiling-to floor displays of 1000 pieces. The artist, a New Yorker who has lived and worked in Paris since 1992, will exhibit new works on canvas and board, including works to be included in Masters: Collage, a compendium of the state of the art of collage due out by Lark Books in May 2010. Matthew Rose's most recent work was the global collaborative A Book About Death, which opened in New York City in September and has since moved across the planet in a half-dozen re-exhibitions. Rose will also debut his prize-winning stamp sheet, Rubens Rounding Third. The piece earned a first place award from the MUFI Stamp Museum in Mexico this past October. This A3-sized work features a baseball player stopped dead in his tracks by a looming black and white image of a Rubens nude; the artist produced 1000 stampsheets, each with a gummed back, perforations, dated, signed and numbered.
Sarah de Teliga is a Paris-based Australian artist who exhibits both in London and Sydney. Her most recent show at the Helen Stephens Gallery in Sydney featured works on bus and car smashed beer cans and oil landscapes that mixed the serene with the odd strange detail. That show sold out. In London, Sarah exhibits with England & Company, and is extremely busy on private commissions for corporations and private collectors. De Teliga is currently launching a new series of works on flattened metal pieces and considering shooting a short film about her aesthetic processes.
Max Mulhern is an American sculptor working in a range of materials from wood to bronze to a combination of both. The artist has exhibited in in Europe (Paris, London), focusing on "nautical innovations." His sculptures in bronze are often complex erotic abstractions while his large and small scale works in painted wood unpack forms and reinvent the pedestal. In fact, Mulhern's most recent innovation is a series of pedestals made out of cut wood, all arranged to fit in a "boîte en valise," a Duchampian gesture that points to the complexities of the Frenchman's art in box. Mulhern also writes regularly for the Art Blog.
Date: December 5, 2009 Time: 2pm
Adress: Studio Matussière, 37 Rue Froidevaux, 75014 Paris (near the Montparnasse Cemetary)
Bernard Matussière is well known for his work in fashion, art and journalism. His campaign for Aubade, the lingerie brand, Les Leçons du Désir, was posted throughout Paris some years ago and the images in black and white so sexy they were said to cause a number of auto accidents as drivers inadvertently hit the brakes. While Matussière has worked on hundreds of advertising campaigns, he is also acclaimed for his nudes. His book, Female Nudes, brings together some 100 images of women from his travels and studio work. The photographer has also travelled widely and his work in Afghanistan, Cambodia, Japan and Africa has been published all over the world. "This little exhibition is a way for me to show some new works," said Matussière, "and meet some new faces here in Paris."
Matthew Rose, long-time cut and paste collagist. His massive installations have created a stir with their surreal and complex wall-to-wall-to-ceiling-to floor displays of 1000 pieces. The artist, a New Yorker who has lived and worked in Paris since 1992, will exhibit new works on canvas and board, including works to be included in Masters: Collage, a compendium of the state of the art of collage due out by Lark Books in May 2010. Matthew Rose's most recent work was the global collaborative A Book About Death, which opened in New York City in September and has since moved across the planet in a half-dozen re-exhibitions. Rose will also debut his prize-winning stamp sheet, Rubens Rounding Third. The piece earned a first place award from the MUFI Stamp Museum in Mexico this past October. This A3-sized work features a baseball player stopped dead in his tracks by a looming black and white image of a Rubens nude; the artist produced 1000 stampsheets, each with a gummed back, perforations, dated, signed and numbered.
Sarah de Teliga is a Paris-based Australian artist who exhibits both in London and Sydney. Her most recent show at the Helen Stephens Gallery in Sydney featured works on bus and car smashed beer cans and oil landscapes that mixed the serene with the odd strange detail. That show sold out. In London, Sarah exhibits with England & Company, and is extremely busy on private commissions for corporations and private collectors. De Teliga is currently launching a new series of works on flattened metal pieces and considering shooting a short film about her aesthetic processes.
Max Mulhern is an American sculptor working in a range of materials from wood to bronze to a combination of both. The artist has exhibited in in Europe (Paris, London), focusing on "nautical innovations." His sculptures in bronze are often complex erotic abstractions while his large and small scale works in painted wood unpack forms and reinvent the pedestal. In fact, Mulhern's most recent innovation is a series of pedestals made out of cut wood, all arranged to fit in a "boîte en valise," a Duchampian gesture that points to the complexities of the Frenchman's art in box. Mulhern also writes regularly for the Art Blog.
Date: December 5, 2009 Time: 2pm
Adress: Studio Matussière, 37 Rue Froidevaux, 75014 Paris (near the Montparnasse Cemetary)
Wednesday, December 2, 2009
Dan Flavin
Dan Flavin (1933-1996) seminal minimalist artist of the 1960s used industrially-based florescent lights to create his non-nonsense light works.
This exhibition at David Zwirner in New York City is combined with a guided tour by Johannes Vogt, doctoral candidate in the University of Berlin's Art History department.
This exhibition at David Zwirner in New York City is combined with a guided tour by Johannes Vogt, doctoral candidate in the University of Berlin's Art History department.
Monday, November 30, 2009
DADA MAMA
The DADA MAMA Collage on canvas. Exhibited at The Orange Dot Gallery, London, 2010.
Click image to enlarge.
See more here.
Holiday Show AT The Front Room Gallery
The Holiday Show show features local artists from the southern Maine area represented by Jon White's Front Room Gallery.
This exceptional Holiday Show features work by the Fluxus-oriented and inspired Reed Altemus, and a host of others who have created artworks for the holiday spirit. The exhibition runs from November 13 - December 31, 2009.
The Front Room Gallery
378 Cottage Road
South Portland, Maine USA
Gallery Hours:
Thursday- Sunday 12 - 5 PM
The Front Room Gallery, established in 1997, is the showplace for Odd Inq pottery and tile. Located in South Portland, the gallery is also home to Jon White’s ceramic studio, as well as Crown Plane, the business of Jon’s brother James.
In addition to the ceramics of Odd Inq, The Front Room Gallery displays the artwork of local artists.
Artist shows run on a bi-monthly basis from February to December. "If you are in the region of southern Maine, come on by for a visit!" says Jon White. Tell Jon that Store Front Windows sent you.
The Front Room Gallery is located at 378 Cottage Road in South Portland, right on the way to the historic Portland Headlight at Fort Williams. If you get lost, call or e mail from your iPhone.
Tel : (207) 767-3835 E mail : info@frontroomgallery.com
This exceptional Holiday Show features work by the Fluxus-oriented and inspired Reed Altemus, and a host of others who have created artworks for the holiday spirit. The exhibition runs from November 13 - December 31, 2009.
The Front Room Gallery
378 Cottage Road
South Portland, Maine USA
Gallery Hours:
Thursday- Sunday 12 - 5 PM
The Front Room Gallery, established in 1997, is the showplace for Odd Inq pottery and tile. Located in South Portland, the gallery is also home to Jon White’s ceramic studio, as well as Crown Plane, the business of Jon’s brother James.
In addition to the ceramics of Odd Inq, The Front Room Gallery displays the artwork of local artists.
Artist shows run on a bi-monthly basis from February to December. "If you are in the region of southern Maine, come on by for a visit!" says Jon White. Tell Jon that Store Front Windows sent you.
The Front Room Gallery is located at 378 Cottage Road in South Portland, right on the way to the historic Portland Headlight at Fort Williams. If you get lost, call or e mail from your iPhone.
Tel : (207) 767-3835 E mail : info@frontroomgallery.com
Sunday, November 29, 2009
My Old Master Download
Drag this high end art work off the page (after clicking it). Title: My Old Master After Jorma Puranen. (He photographs Old Masters. This is my photograph of his photograph of an Old Master).
Friday, November 20, 2009
Rubens Rounding Third : The Art Of Baseball
Matthew Rose takes a swing at the art of baseball in his prize-winning art stamp sheet, Rubens Rounding Third. Printed on gummed paper and perforated, the stamp sheet is the artist's ode to baseball, art, Rubens, stamps in a sexy twist on turning the corner, in this case third base.
This collector's piece is headed for Cooperstown, the Baseball Hall of Fame in Upstate New York, as well as a permanent place at the Philatelic Museum of Oaxaca (MUFI), which awarded the artist first prize in their world wide competition for 'Baseball Philately + The Art Inspired by Philately'.
"My guess is that Americans of all sizes will be interested in this work, not only those who love baseball and art," said Matthew, "but also those who grew up playing the game and found themselves distracted by some attractive fan in the crowd."
- Printed on gummed stamp sheets
- Signed and numbered by the artist
- Limited edition of 1000
- 296mm by 407mm (11½ by 16 inches)
Direct From the Artist: Price: 35 euros. Pay Pal accepted.
Thursday, November 19, 2009
Jeanne-Claude, Christo Collaborator, Dies
Jeanne-Claude, 74, American artist and resident of New York City, died suddenly November 18, 2009 as a result of of complications due to a ruptured brain aneurysm.
Christo is deeply saddened by the passing of his wife, partner and collaborator and is committed to honor the promise they made to each other many years ago: The art of Christo and Jeanne-Claude will continue.
Christo is dedicated to completing their current works in progress: Over The River, Project for the Arkansas River, State of Colorado, and The Mastaba, Project for the United Arab Emirates, as Jeanne-Claude would wish.
Christo and Jeanne-Claude met in Paris, France in November, 1958, sharing the same date of birth and have worked together for 51 years creating temporary works of art.
It is Jeanne-Claude's wish that her body be donated to scientific research.
A memorial will be announced at a later date. Christo requests that flowers not be sent. Memorial gifts may be made to the charity of your choice.
Images: Above left, Jeanne-Claude; above, right, Pont Neuf Wrapped, Paris, 1975. Courtesy : Christo & Jeanne-Claude
From: http://www.christojeanneclaude.net/
Christo is deeply saddened by the passing of his wife, partner and collaborator and is committed to honor the promise they made to each other many years ago: The art of Christo and Jeanne-Claude will continue.
Christo is dedicated to completing their current works in progress: Over The River, Project for the Arkansas River, State of Colorado, and The Mastaba, Project for the United Arab Emirates, as Jeanne-Claude would wish. Christo and Jeanne-Claude met in Paris, France in November, 1958, sharing the same date of birth and have worked together for 51 years creating temporary works of art.
It is Jeanne-Claude's wish that her body be donated to scientific research.
A memorial will be announced at a later date. Christo requests that flowers not be sent. Memorial gifts may be made to the charity of your choice.
Images: Above left, Jeanne-Claude; above, right, Pont Neuf Wrapped, Paris, 1975. Courtesy : Christo & Jeanne-Claude
From: http://www.christojeanneclaude.net/
Saturday, November 14, 2009
A BOOK ABOUT DEATH - THE MOVIE
Angela Ferrara, an artist based in São Paulo, Brazil, created this film
for the exhibition A Book About Death. Angela, contributor to
A Book About Death – see her art here – worked tirelessly to not
only learn new software applications but to curate the original
show into themes and sync it all to the beautiful music of
Garry Schyman – his piece, Praan.
Visit The Music Of Garry Schyman
Praan
Bhulbona ar shohojete
Shei praan e mon uthbe mete
Mrittu majhe dhaka ache
je ontohin praan
Bojre tomar baje bashi
She ki shohoj gaan
Shei shurete jagbo ami
(Repeat 3X)
Shei jhor jeno shoi anonde
Chittobinar taare
Shotto-shundu dosh digonto
Nachao je jhonkare!
Bojre tomar baje bashi
She ki shohoj gaan
Shei shurete jagbo am
Praan (English Translation)
The same stream of life
that runs through my veins night and day
runs through the world
and dances in rhythmic measures.
It is the same life
that shoots in joy through the dust of the earth
in numberless blades of grass
and breaks into tumultuous waves of leaves and flowers.
It is the same life
that is rocked in the ocean-cradle
of birth and of death,
in ebb and in flow.
I feel my limbs are made glorious
by the touch of this world of life.
And my pride is from the life-throb of ages
dancing in my blood this moment.
Use of Garry Schyman's music for Praan – originally written for Where The Hell Is Matt? – has been generously granted by the composer.
Lyrics adapted from the poem "Stream Of Life" from Gitanjali by Rabindranath Tagore.
Music Credits: Music By Garry Schyman. Drums and Engineering Dan Blessinger. Vocals Palbasha Siddique. Guitars and bass Kevin Dukes. Concertmaster Belinda Broughton. Orchestral contractor Ross DeRoche (DeRoche Music Inc.). Vocal Contractor Melissa Nixon.
for the exhibition A Book About Death. Angela, contributor to
A Book About Death – see her art here – worked tirelessly to not
only learn new software applications but to curate the original
show into themes and sync it all to the beautiful music of
Garry Schyman – his piece, Praan.
Visit The Music Of Garry Schyman
Praan
Bhulbona ar shohojete
Shei praan e mon uthbe mete
Mrittu majhe dhaka ache
je ontohin praan
Bojre tomar baje bashi
She ki shohoj gaan
Shei shurete jagbo ami
(Repeat 3X)
Shei jhor jeno shoi anonde
Chittobinar taare
Shotto-shundu dosh digonto
Nachao je jhonkare!
Bojre tomar baje bashi
She ki shohoj gaan
Shei shurete jagbo am
Praan (English Translation)
The same stream of life
that runs through my veins night and day
runs through the world
and dances in rhythmic measures.
It is the same life
that shoots in joy through the dust of the earth
in numberless blades of grass
and breaks into tumultuous waves of leaves and flowers.
It is the same life
that is rocked in the ocean-cradle
of birth and of death,
in ebb and in flow.
I feel my limbs are made glorious
by the touch of this world of life.
And my pride is from the life-throb of ages
dancing in my blood this moment.
Use of Garry Schyman's music for Praan – originally written for Where The Hell Is Matt? – has been generously granted by the composer.
Lyrics adapted from the poem "Stream Of Life" from Gitanjali by Rabindranath Tagore.
Music Credits: Music By Garry Schyman. Drums and Engineering Dan Blessinger. Vocals Palbasha Siddique. Guitars and bass Kevin Dukes. Concertmaster Belinda Broughton. Orchestral contractor Ross DeRoche (DeRoche Music Inc.). Vocal Contractor Melissa Nixon.
Tuesday, November 10, 2009
Anonymous Gallery : Rising Pop Star
Police Barrier Star by artist Kostas Seremetis (above) is one of several works by the artist, along with many works by Ronnie Cutrone, Rammellzee and Romon Kimin Yang aka Rostar at the unusual art space, Anonymous Gallery, on the Bowery in New York City.
Their show, Subcultural Capital (Oct 14 - Nov 15, 2009) is described as the cultural knowledge and commodities acquired by members of a subculture, raising their status and helping differentiate them from members of other groups.
"Characterized by themes drawn from popular mass culture, such as advertising, comic books and mundane cultural objects, the exhibition, Subculture Capital integrates subculture and mass culture, pop art and post modernism," says the press release on this show. "Using techniques that include appropriation, collage, painting, sculpture, film, and performance, these four artists individually refine and stylize their cultural influences, manipulating them into embodiments of personal compilations."
While I'm very familiar with Ronnie Cutrone, an old Andy Warhol assistant who famously shot the "Scull photos" for Warhol's silkscreens among other pieces, the artist is more famous for his dastardly take on Woody Woodpecker and the American flag. Carlo McCormick organizes a panel discussion on this show (tonight! Tuesday Nov 10, from 7 - 9 PM, 169 Bowery - Collective Hardware) and all the things it touches, pop and cop included.
Their show, Subcultural Capital (Oct 14 - Nov 15, 2009) is described as the cultural knowledge and commodities acquired by members of a subculture, raising their status and helping differentiate them from members of other groups.
"Characterized by themes drawn from popular mass culture, such as advertising, comic books and mundane cultural objects, the exhibition, Subculture Capital integrates subculture and mass culture, pop art and post modernism," says the press release on this show. "Using techniques that include appropriation, collage, painting, sculpture, film, and performance, these four artists individually refine and stylize their cultural influences, manipulating them into embodiments of personal compilations."
While I'm very familiar with Ronnie Cutrone, an old Andy Warhol assistant who famously shot the "Scull photos" for Warhol's silkscreens among other pieces, the artist is more famous for his dastardly take on Woody Woodpecker and the American flag. Carlo McCormick organizes a panel discussion on this show (tonight! Tuesday Nov 10, from 7 - 9 PM, 169 Bowery - Collective Hardware) and all the things it touches, pop and cop included.
Monday, November 9, 2009
The Philly Blahg Wars
Philadelphia has a new brand of cream cheese.
The newly launched artblagh is taking on the venerable artblog.org in what seems like a brawling battle of the Philadelphia art blogs.
Thing is the artblagh is fiction. Blagh of course is "blague," joke en français. Très continental. And hey! Check out those ads! Are they paid? I clicked on the link for the media kit and felt like I was playing Asteroids with the plug pulled out. No link!
The authors of the artblagh are "harry and henrietta falloff" a loving take-off on the artblog's roberta fallon and libby rosoff.
In a recent post, the author "likesomebodycares" announces: "We will have a lot more little inside stories to share with you from time to time. They come out of our upcoming book, Filly Art World Memoir that we are working on. It will name names and we will not be spare anybody. We can't wait to start cashing in on it!!!"
Read and enjoy...them both!
The newly launched artblagh is taking on the venerable artblog.org in what seems like a brawling battle of the Philadelphia art blogs.
Thing is the artblagh is fiction. Blagh of course is "blague," joke en français. Très continental. And hey! Check out those ads! Are they paid? I clicked on the link for the media kit and felt like I was playing Asteroids with the plug pulled out. No link!
The authors of the artblagh are "harry and henrietta falloff" a loving take-off on the artblog's roberta fallon and libby rosoff.
In a recent post, the author "likesomebodycares" announces: "We will have a lot more little inside stories to share with you from time to time. They come out of our upcoming book, Filly Art World Memoir that we are working on. It will name names and we will not be spare anybody. We can't wait to start cashing in on it!!!"
Read and enjoy...them both!
Tuesday, November 3, 2009
Sentinelles : Une Oeuvre de Victoria Klotz
Victoria Klotz: Curieuse des rencontres que font les hommes avec la part sauvage du monde, Victoria Klotz mène, depuis 1997, un travail plastique qui interroge notre rapport à l'homme et à l'animalité. Artiste plasticienne, elle développe plusieurs pratiques : installations in situ, films vidéo, bandes audio, photographies et écrits.Sur la place du Junqué à Jurançon, elle propose de « mettre en scène des présences animales dans la ville. Plus exactement de véhiculer l'idée de niches écologiques dans le tissu urbain : la ville est aussi un écosystème, certaines espèces animales ont déjà investi ce territoire même si la plupart d'entre nous ne les voient pas : renards, rapaces, insectes jouent à cache-cache dans les interstices de la ville. Nous continuons à penser les villes comme un espace exclusivement humanisé, alors que les observations des naturalistes et écologues ont analysé le phénomène des zones-refuges et quantifié cette présence animale invisible pour le quidam.
« Pour matérialiser cette présence, je propose une série de dix structures autonomes : des mâts de bateau avec leurs balconnets d'observation où sont perchées des sculptures animalières hyperréalistes. Cette forme m'intéresse parce qu'elle est porteuse de rêves : la vigie d'un bateau voit les dangers et aussi l'espoir de la terre ferme. Situer les animaux sur ces « nids de pie » les met en position d'observateurs, de sentinelles de notre monde. Cela les met aussi dans une position ambiguë, au milieu de nous et hors d'atteinte. Les animaux ont cette qualité de présence particulière : proches et inaccessibles à la fois. » – Victoria Klotz
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Le PCI a diffusé en janvier 2009 des appels à projets dans le domaine des arts visuels pour la production d'interventions artistiques dans l'espace public. « En 2009, le PCI invite des artistes à occuper l'espace public afin de proposer un regard singulier sur l'espace de la ville, l'interroger et la bousculer dans sa stabilité apparente, en révéler l'invisible, découvrir des chemins de traverse, et peut-être quelques utopies. »
De très nombreux artistes ont manifesté leur intérêt pour cette résidence de création puisque 123 dossiers sont parvenus au PCI. En avril dernier, le jury s'est réuni et quatre artistes ont été retenus pour le sérieux et la pertinence de leur dossier et la qualité de leur démarche artistique. Il s'agit de : Jocelyn Cottencin, Séverine Hubbard, Julien Celdran, Victoria Klotz.
Sunday, November 1, 2009
Rubens Rounding Third: Artist Stamps Win First Prize
American artist Matthew Rose won the first place prize in the Philatelic Museum of Oaxaca (MUFI) world wide competition for: BASEBALL PHILATELY + THE ART INSPIRED BY PHILATELY. The stamp sheet, Rubens Rounding Third, brings art to baseball and baseball to art. A special print of the work, in a limited edition by the artist, is signed and dated and numbered (1000) available for purchase. The stamp sheet is A3 size, with perforations and a gummed back.
Price: 35 euros for the first 150 orders; 50 euros for each after. For all information on the signed art work, please contact: MATTHEW.ROSE.PARIS [at] GMAIL [dot] COM. Pay Pal accepted.
Below is the official press release from MUFI.
OAXACA, MEXICO–The Philatelic Museum of Oaxaca (MUFI) and the Baseball Academy Alfredo Harp Helú, launched earlier this year the Art Call BASEBALL PHILATELY, earning an International response of 100 entries.
Under the concept “The art inspired by Philately” the Philatelic Museum of Oaxaca launched earlier this year the Art Call BASEBALL PHILATELY + THE ART INSPIRED BY PHILATELY with the Baseball Academy Alfredo Harp Helú, which opens next month.
The turnout was large and diverse. Participants from countries like México, United States, France, Ukraine, Canada, Russia, Brazil, Colombia and Denmark did MUFI reach a total of 168 pieces which were reviewed by members of the Selection Jury.
The jury, made up of artists Jan Hendrix, Demián Flores and art critic Patricia Mendoza, who on Saturday, October 10 gathered at MUFI to examine the pieces and complete the selection stage at 12:00 hrs. October 10, 2009. The winning artists were:
First Place:
Artist: Matthew Rose (Paris, France)
Title: Rubens Rounding Third
Second Place:
Artist: Janice Lowry (Santa Ana, CA. USA)
Title: Baseball Philately
Third Place:
Artist: Luis Carlos Hurtado (Mexico, DF, Mexico)
Title: The King of Sports
Three Honorable Mentions:
Artist: Marco Abarca (Oaxaca, Mexico)
Title: The baseball postman Marco Abarca
Artist: Ricardo Hernández (Oaxaca, Mexico)
Title: Guerreros de Oaxaca
Artist: Marsel Onisko (Uzhgorod, Ukraine)
Title: One Player’s Dream
The next stage will be the exhibition of all participating works and delivery of stimuli and Honorable Mentions. This will be held on November 12, 2009 at the Baseball Academy Alfredo Harp Helú in San Bartolo Coyotepec, Oaxaca.
For more information contact the Philatelic Museum of Oaxaca
+52 (951) 5142366, 5142375 and 5168028 or email: info@mufi.org.mx.
Website: http://www.mufi.org.mx
MUSEUM OF PHILATELY OF OAXACA (MUFI)
Reforma 504, Centro Histórico, Oaxaca, Oax.
Price: 35 euros for the first 150 orders; 50 euros for each after. For all information on the signed art work, please contact: MATTHEW.ROSE.PARIS [at] GMAIL [dot] COM. Pay Pal accepted.
Below is the official press release from MUFI.
OAXACA, MEXICO–The Philatelic Museum of Oaxaca (MUFI) and the Baseball Academy Alfredo Harp Helú, launched earlier this year the Art Call BASEBALL PHILATELY, earning an International response of 100 entries.
Under the concept “The art inspired by Philately” the Philatelic Museum of Oaxaca launched earlier this year the Art Call BASEBALL PHILATELY + THE ART INSPIRED BY PHILATELY with the Baseball Academy Alfredo Harp Helú, which opens next month.
The turnout was large and diverse. Participants from countries like México, United States, France, Ukraine, Canada, Russia, Brazil, Colombia and Denmark did MUFI reach a total of 168 pieces which were reviewed by members of the Selection Jury.
The jury, made up of artists Jan Hendrix, Demián Flores and art critic Patricia Mendoza, who on Saturday, October 10 gathered at MUFI to examine the pieces and complete the selection stage at 12:00 hrs. October 10, 2009. The winning artists were:
First Place:
Artist: Matthew Rose (Paris, France)
Title: Rubens Rounding Third
Second Place:
Artist: Janice Lowry (Santa Ana, CA. USA)
Title: Baseball Philately
Third Place:
Artist: Luis Carlos Hurtado (Mexico, DF, Mexico)
Title: The King of Sports
Three Honorable Mentions:
Artist: Marco Abarca (Oaxaca, Mexico)
Title: The baseball postman Marco Abarca
Artist: Ricardo Hernández (Oaxaca, Mexico)
Title: Guerreros de Oaxaca
Artist: Marsel Onisko (Uzhgorod, Ukraine)
Title: One Player’s Dream
The next stage will be the exhibition of all participating works and delivery of stimuli and Honorable Mentions. This will be held on November 12, 2009 at the Baseball Academy Alfredo Harp Helú in San Bartolo Coyotepec, Oaxaca.
For more information contact the Philatelic Museum of Oaxaca
+52 (951) 5142366, 5142375 and 5168028 or email: info@mufi.org.mx.
Website: http://www.mufi.org.mx
MUSEUM OF PHILATELY OF OAXACA (MUFI)
Reforma 504, Centro Histórico, Oaxaca, Oax.
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